Salvador Dalí, ‘Les Caprices de Goya de Dali (Dali’s ‘Caprichos’ by Goya): 78 plates’, 1977, Phillips

All images 9 x 7 in. (22.9 x 17.8 cm)
All sheets 17 1/4 x 12 1/4 in. (43.8 x 31.1 cm)

All signed and variously numbered 86/200, 75/200, 62/200 or 26/200 in pencil (there were also 20 artist's proofs), published by Berggruen/Editions Graphiques Internationales, Paris, lacking plates 1 and 27, title page, and the brown leather portfolio/slipcase, all unframed.

Ralf Michler and Lutz W. Löpsinger 849-873, 875-927

About Salvador Dalí

Salvador Dalí was a leading proponent of Surrealism, the 20-century avant-garde movement that sought to release the creative potential of the unconscious through strange, dream-like imagery. “Surrealism is destructive, but it destroys only what it considers to be shackles limiting our vision,” he said. Dalí is specially credited with the innovation of “paranoia-criticism,” a philosophy of art making he defined as “irrational understanding based on the interpretive-critical association of delirious phenomena.” In addition to meticulously painting fantastic compositions, such as The Accommodations of Desire (1929) and the melting clocks in his famed The Persistence of Memory (1931), Dalí was a prolific writer and early filmmaker, and cultivated an eccentric public persona with his flamboyant mustache, pet ocelot, and outlandish behavior and quips. “Each morning when I awake, I experience again a supreme pleasure,” he once said. “That of being Salvador Dalí.”

Spanish, 1904-1989, Figueres, Spain