Salvador Dalí, ‘Liquid and Gaseous Television’, 1975, Georgetown Frame Shoppe
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Salvador Dalí

Liquid and Gaseous Television, 1975

Lithograph with collage on Arches paper
37 × 29 1/4 in
94 × 74.3 cm
Edition 46/250
.
Contact For Price
Location
Washington DC
Certificate
Certificate of authenticity
This work includes a certificate of authenticity.
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About the work
Bibliography
Medium
Signature
Hand-signed by artist, Signed in Pencil
Certificate of authenticity
Included
Frame
Included
Series
Imaginations and Objects of the Future
Salvador Dalí
Spanish, 1904–1989
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Salvador Dalí was a leading proponent of Surrealism, the 20-century avant-garde movement that sought to release the creative potential of the unconscious through strange, dream-like imagery. “Surrealism is destructive, but it destroys only what it considers to be shackles limiting our vision,” he said. Dalí is specially credited with the innovation of “paranoia-criticism,” a philosophy of art making he defined as “irrational understanding based on the interpretive-critical association of delirious phenomena.” In addition to meticulously painting fantastic compositions, such as The Accommodations of Desire (1929) and the melting clocks in his famed The Persistence of Memory (1931), Dalí was a prolific writer and early filmmaker, and cultivated an eccentric public persona with his flamboyant mustache, pet ocelot, and outlandish behavior and quips.

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Salvador Dalí, ‘Liquid and Gaseous Television’, 1975, Georgetown Frame Shoppe
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Save
Save
View
View in room
Share
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About the work
Bibliography
Medium
Signature
Hand-signed by artist, Signed in Pencil
Certificate of authenticity
Included
Frame
Included
Series
Imaginations and Objects of the Future
Salvador Dalí
Spanish, 1904–1989
Follow

Salvador Dalí was a leading proponent of Surrealism, the 20-century avant-garde movement that sought to release the creative potential of the unconscious through strange, dream-like imagery. “Surrealism is destructive, but it destroys only what it considers to be shackles limiting our vision,” he said. Dalí is specially credited with the innovation of “paranoia-criticism,” a philosophy of art making he defined as “irrational understanding based on the interpretive-critical association of delirious phenomena.” In addition to meticulously painting fantastic compositions, such as The Accommodations of Desire (1929) and the melting clocks in his famed The Persistence of Memory (1931), Dalí was a prolific writer and early filmmaker, and cultivated an eccentric public persona with his flamboyant mustache, pet ocelot, and outlandish behavior and quips.

Salvador Dalí

Liquid and Gaseous Television, 1975

Lithograph with collage on Arches paper
37 × 29 1/4 in
94 × 74.3 cm
Edition 46/250
.
Contact For Price
Location
Washington DC
Certificate
Certificate of authenticity
This work includes a certificate of authenticity.
Have a question? Visit our help center.
Want to sell a work by this artist? Consign with Artsy.
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Surrealism