Salvador Dalí, ‘Monument to the Ideal Doctor’, 1973, Graves International Art
Salvador Dalí, ‘Monument to the Ideal Doctor’, 1973, Graves International Art
Salvador Dalí, ‘Monument to the Ideal Doctor’, 1973, Graves International Art
Salvador Dalí, ‘Monument to the Ideal Doctor’, 1973, Graves International Art
Salvador Dalí, ‘Monument to the Ideal Doctor’, 1973, Graves International Art
Salvador Dalí, ‘Monument to the Ideal Doctor’, 1973, Graves International Art
Salvador Dalí, ‘Monument to the Ideal Doctor’, 1973, Graves International Art
Salvador Dalí, ‘Monument to the Ideal Doctor’, 1973, Graves International Art
Salvador Dalí, ‘Monument to the Ideal Doctor’, 1973, Graves International Art
Salvador Dalí, ‘Monument to the Ideal Doctor’, 1973, Graves International Art
Salvador Dalí, ‘Monument to the Ideal Doctor’, 1973, Graves International Art
Salvador Dalí, ‘Monument to the Ideal Doctor’, 1973, Graves International Art

An original signed lithograph from an original gouache on unbranded heavy wove paper by Spanish artist Salvador Dali (1904-1989) titled "Monument to the Ideal Doctor", 1973. Limited edition: 81/350. Hand pencil signed by Dali lower right and hand numbered lower left. Publisher unknown. Reference: Field 73-6, page 172. Sheet size: 29.75" x 21.75". In excellent condition. Rare. Reduced price for quick sale.

Note: We are specialists in Salvador Dali's Original Prints, having personally worked with his cataloger Albert Field in the 1980's, we unconditionally guarantee all of our prints to be Authentic.

Signature: Hand pencil signed by Dali lower right

Image rights: Copyright © Graves International Art

Reference: Field 73-6, page 172

About Salvador Dalí

Salvador Dalí was a leading proponent of Surrealism, the 20-century avant-garde movement that sought to release the creative potential of the unconscious through strange, dream-like imagery. “Surrealism is destructive, but it destroys only what it considers to be shackles limiting our vision,” he said. Dalí is specially credited with the innovation of “paranoia-criticism,” a philosophy of art making he defined as “irrational understanding based on the interpretive-critical association of delirious phenomena.” In addition to meticulously painting fantastic compositions, such as The Accommodations of Desire (1929) and the melting clocks in his famed The Persistence of Memory (1931), Dalí was a prolific writer and early filmmaker, and cultivated an eccentric public persona with his flamboyant mustache, pet ocelot, and outlandish behavior and quips. “Each morning when I awake, I experience again a supreme pleasure,” he once said. “That of being Salvador Dalí.”

Spanish, 1904-1989, Figueres, Spain