Salvador Dalí, ‘Our Historical Heritage’, 1975, Doyle
Salvador Dalí, ‘Our Historical Heritage’, 1975, Doyle
Salvador Dalí, ‘Our Historical Heritage’, 1975, Doyle
Salvador Dalí, ‘Our Historical Heritage’, 1975, Doyle
Salvador Dalí, ‘Our Historical Heritage’, 1975, Doyle
Salvador Dalí, ‘Our Historical Heritage’, 1975, Doyle
Salvador Dalí, ‘Our Historical Heritage’, 1975, Doyle
Salvador Dalí, ‘Our Historical Heritage’, 1975, Doyle
Salvador Dalí, ‘Our Historical Heritage’, 1975, Doyle
Salvador Dalí, ‘Our Historical Heritage’, 1975, Doyle
Salvador Dalí, ‘Our Historical Heritage’, 1975, Doyle
Salvador Dalí, ‘Our Historical Heritage’, 1975, Doyle
Salvador Dalí, ‘Our Historical Heritage’, 1975, Doyle
Salvador Dalí, ‘Our Historical Heritage’, 1975, Doyle
Salvador Dalí, ‘Our Historical Heritage’, 1975, Doyle

signed and numbered 352/400 in pencil, numbered 352/400 on the justification, published by Leon Amiel, New York and Paris, with full margins, in original blue cloth-covered boards and slipcase with inset metallic medallion. (11)

Sheets: 26 x 19.875 inches; 660 x 505 mm.

Condition: A few unobtrusive handling creases, some unobtrusive offsetting verso, one with minor printer's ink verso, one with a small foxing spot verso, three with diagonal creasing at top left sheet corner, the title page with a few foxing spots, the justification page with two foxing spots verso, the boards and slipcase with some rubbing and minor discoloration, otherwise in good condition.

About Salvador Dalí

Salvador Dalí was a leading proponent of Surrealism, the 20-century avant-garde movement that sought to release the creative potential of the unconscious through strange, dream-like imagery. “Surrealism is destructive, but it destroys only what it considers to be shackles limiting our vision,” he said. Dalí is specially credited with the innovation of “paranoia-criticism,” a philosophy of art making he defined as “irrational understanding based on the interpretive-critical association of delirious phenomena.” In addition to meticulously painting fantastic compositions, such as The Accommodations of Desire (1929) and the melting clocks in his famed The Persistence of Memory (1931), Dalí was a prolific writer and early filmmaker, and cultivated an eccentric public persona with his flamboyant mustache, pet ocelot, and outlandish behavior and quips. “Each morning when I awake, I experience again a supreme pleasure,” he once said. “That of being Salvador Dalí.”

Spanish, 1904-1989, Figueres, Spain