Salvador Dalí, ‘Place St-Pierre’, 1972, Print, Heliogravure in colors, on Arches paper, with full margins, Phillips
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Salvador Dalí

Place St-Pierre, 1972

Heliogravure in colors, on Arches paper, with full margins
21 9/10 × 29 in
55.6 × 73.7 cm
Edition 226/350
.
Bidding closed
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P
Phillips

No Reserve
Image: 15 x 19 3/4 in. (38.1 x 50.2 cm)
Sheet: 21 7/8 x 29 in. (55.6 x 73.7 cm)

Medium
Signature
Signed and numbered 226/350 in pencil (there were also some artist's proofs), published by Editions Graphiques Internationales Torrents, …
Salvador Dalí
Spanish, 1904–1989
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Salvador Dalí was a leading proponent of Surrealism, the 20-century avant-garde movement that sought to release the creative potential of the unconscious through strange, dream-like imagery. “Surrealism is destructive, but it destroys only what it considers to be shackles limiting our vision,” he said. Dalí is specially credited with the innovation of “paranoia-criticism,” a philosophy of art making he defined as “irrational understanding based on the interpretive-critical association of delirious phenomena.” In addition to meticulously painting fantastic compositions, such as The Accommodations of Desire (1929) and the melting clocks in his famed The Persistence of Memory (1931), Dalí was a prolific writer and early filmmaker, and cultivated an eccentric public persona with his flamboyant mustache, pet ocelot, and outlandish behavior and quips.

Salvador Dalí, ‘Place St-Pierre’, 1972, Print, Heliogravure in colors, on Arches paper, with full margins, Phillips
Save
Save
View
View in room
Share
Share
P
Phillips

No Reserve
Image: 15 x 19 3/4 in. (38.1 x 50.2 cm)
Sheet: 21 7/8 x 29 in. (55.6 x 73.7 cm)

Medium
Signature
Signed and numbered 226/350 in pencil (there were also some artist's proofs), published by Editions Graphiques Internationales Torrents, …
Salvador Dalí
Spanish, 1904–1989
Follow

Salvador Dalí was a leading proponent of Surrealism, the 20-century avant-garde movement that sought to release the creative potential of the unconscious through strange, dream-like imagery. “Surrealism is destructive, but it destroys only what it considers to be shackles limiting our vision,” he said. Dalí is specially credited with the innovation of “paranoia-criticism,” a philosophy of art making he defined as “irrational understanding based on the interpretive-critical association of delirious phenomena.” In addition to meticulously painting fantastic compositions, such as The Accommodations of Desire (1929) and the melting clocks in his famed The Persistence of Memory (1931), Dalí was a prolific writer and early filmmaker, and cultivated an eccentric public persona with his flamboyant mustache, pet ocelot, and outlandish behavior and quips.

Salvador Dalí

Place St-Pierre, 1972

Heliogravure in colors, on Arches paper, with full margins
21 9/10 × 29 in
55.6 × 73.7 cm
Edition 226/350
.
Bidding closed
Want to sell a work by this artist? Consign with Artsy.
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