Salvador Dalí, ‘SOUS LE PIN PARASOL’, 1970, Print, Drypoint in colours, Sworders
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Salvador Dalí

SOUS LE PIN PARASOL, 1970

Drypoint in colours
25 2/5 × 19 7/10 in
64.5 × 50 cm
Bidding closed
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S
Sworders

From the 'Tristan et Iseult' suite, signed in pencil and numbered XXXIV/LXXV, on Japan …

Medium
Salvador Dalí
Spanish, 1904–1989
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Salvador Dalí was a leading proponent of Surrealism, the 20-century avant-garde movement that sought to release the creative potential of the unconscious through strange, dream-like imagery. “Surrealism is destructive, but it destroys only what it considers to be shackles limiting our vision,” he said. Dalí is specially credited with the innovation of “paranoia-criticism,” a philosophy of art making he defined as “irrational understanding based on the interpretive-critical association of delirious phenomena.” In addition to meticulously painting fantastic compositions, such as The Accommodations of Desire (1929) and the melting clocks in his famed The Persistence of Memory (1931), Dalí was a prolific writer and early filmmaker, and cultivated an eccentric public persona with his flamboyant mustache, pet ocelot, and outlandish behavior and quips.

Salvador Dalí, ‘SOUS LE PIN PARASOL’, 1970, Print, Drypoint in colours, Sworders
Save
Save
View
View in room
Share
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S
Sworders

From the 'Tristan et Iseult' suite, signed in pencil and numbered XXXIV/LXXV, on Japan paper, with full margins

Sheet 64.5 x 50cm, unframed

This lot is subject to Artist's Resale Right (see Conditions of Sale for further information)

Medium
Salvador Dalí
Spanish, 1904–1989
Follow

Salvador Dalí was a leading proponent of Surrealism, the 20-century avant-garde movement that sought to release the creative potential of the unconscious through strange, dream-like imagery. “Surrealism is destructive, but it destroys only what it considers to be shackles limiting our vision,” he said. Dalí is specially credited with the innovation of “paranoia-criticism,” a philosophy of art making he defined as “irrational understanding based on the interpretive-critical association of delirious phenomena.” In addition to meticulously painting fantastic compositions, such as The Accommodations of Desire (1929) and the melting clocks in his famed The Persistence of Memory (1931), Dalí was a prolific writer and early filmmaker, and cultivated an eccentric public persona with his flamboyant mustache, pet ocelot, and outlandish behavior and quips.

Salvador Dalí

SOUS LE PIN PARASOL, 1970

Drypoint in colours
25 2/5 × 19 7/10 in
64.5 × 50 cm
Bidding closed
Want to sell a work by this artist? Consign with Artsy.
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