Salvador Dalí, ‘The Old Hippie; The Pagoda; Woman With Cushion (F. 69-13A, F, J)’, Print, Three hand-colored color etchings and drypoints on Arches paper, Doyle
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Salvador Dalí

The Old Hippie; The Pagoda; Woman With Cushion (F. 69-13A, F, J)

Three hand-colored color etchings and drypoints on Arches paper
Bidding closed
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D
Doyle

1969-1970

Sheets: 26 x 19 7/8 inches; 660 x 505 mm.

from The Hippies suite, published by Graphic …

Medium
Signature
Signed and numbered 44/145 in pencil, with the artist's blindstamp
Salvador Dalí
Spanish, 1904–1989
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Salvador Dalí was a leading proponent of Surrealism, the 20-century avant-garde movement that sought to release the creative potential of the unconscious through strange, dream-like imagery. “Surrealism is destructive, but it destroys only what it considers to be shackles limiting our vision,” he said. Dalí is specially credited with the innovation of “paranoia-criticism,” a philosophy of art making he defined as “irrational understanding based on the interpretive-critical association of delirious phenomena.” In addition to meticulously painting fantastic compositions, such as The Accommodations of Desire (1929) and the melting clocks in his famed The Persistence of Memory (1931), Dalí was a prolific writer and early filmmaker, and cultivated an eccentric public persona with his flamboyant mustache, pet ocelot, and outlandish behavior and quips.

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Salvador Dalí, ‘The Old Hippie; The Pagoda; Woman With Cushion (F. 69-13A, F, J)’, Print, Three hand-colored color etchings and drypoints on Arches paper, Doyle
Navigate right
Save
Save
Share
Share
D
Doyle

1969-1970

Sheets: 26 x 19 7/8 inches; 660 x 505 mm.

from The Hippies suite, published by Graphic Europa, Switzerland, with full margins, two framed.

Medium
Signature
Signed and numbered 44/145 in pencil, with the artist's blindstamp
Salvador Dalí
Spanish, 1904–1989
Follow

Salvador Dalí was a leading proponent of Surrealism, the 20-century avant-garde movement that sought to release the creative potential of the unconscious through strange, dream-like imagery. “Surrealism is destructive, but it destroys only what it considers to be shackles limiting our vision,” he said. Dalí is specially credited with the innovation of “paranoia-criticism,” a philosophy of art making he defined as “irrational understanding based on the interpretive-critical association of delirious phenomena.” In addition to meticulously painting fantastic compositions, such as The Accommodations of Desire (1929) and the melting clocks in his famed The Persistence of Memory (1931), Dalí was a prolific writer and early filmmaker, and cultivated an eccentric public persona with his flamboyant mustache, pet ocelot, and outlandish behavior and quips.

Salvador Dalí

The Old Hippie; The Pagoda; Woman With Cushion (F. 69-13A, F, J)

Three hand-colored color etchings and drypoints on Arches paper
Bidding closed
Want to sell a work by this artist? Consign with Artsy.
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