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Salvador Dalí

Ultra-Surrealistic Corpuscular Galutska; and The Eye of Surrealistic Time, from Memories of Surrealism, 1971

Two drypoints over lithograph in colors, on Arches paper, with full margins.
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About the work
Bibliography
P
Phillips

Both I. 20 5/8 x 16 3/8 in. (52.4 x 41.6 cm)
Both S. 29 5/8 x 20 3/8 in. (75.2 x 51.8 cm)

Both I. 20 5/8 x 16 3/8 in. (52.4 x 41.6 cm)
Both S. 29 5/8 x 20 3/8 in. (75.2 x 51.8 cm)

Medium
Print
Signature
Both signed and numbered 'F 25/175' in pencil (there was also an 'A' edition of 175 on Arches and various proofs), published by Transworld … Read more
Salvador Dalí
Spanish, 1904–1989
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Salvador Dalí was a leading proponent of Surrealism, the 20-century avant-garde movement that sought to release the creative potential of the unconscious through strange, dream-like imagery. “Surrealism is destructive, but it destroys only what it considers to be shackles limiting our vision,” he said. Dalí is specially credited with the innovation of “paranoia-criticism,” a philosophy of art making he defined as “irrational understanding based on the interpretive-critical association of delirious phenomena.” In addition to meticulously painting fantastic compositions, such as The Accommodations of Desire (1929) and the melting clocks in his famed The Persistence of Memory (1931), Dalí was a prolific writer and early filmmaker, and cultivated an eccentric public persona with his flamboyant mustache, pet ocelot, and outlandish behavior and quips.

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Share
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About the work
Bibliography
P
Phillips

Both I. 20 5/8 x 16 3/8 in. (52.4 x 41.6 cm)
Both S. 29 5/8 x 20 3/8 in. (75.2 x 51.8 cm)

Both I. 20 5/8 x 16 3/8 in. (52.4 x 41.6 cm)
Both S. 29 5/8 x 20 3/8 in. (75.2 x 51.8 cm)

Medium
Print
Signature
Both signed and numbered 'F 25/175' in pencil (there was also an 'A' edition of 175 on Arches and various proofs), published by Transworld … Read more
Salvador Dalí
Spanish, 1904–1989
Follow

Salvador Dalí was a leading proponent of Surrealism, the 20-century avant-garde movement that sought to release the creative potential of the unconscious through strange, dream-like imagery. “Surrealism is destructive, but it destroys only what it considers to be shackles limiting our vision,” he said. Dalí is specially credited with the innovation of “paranoia-criticism,” a philosophy of art making he defined as “irrational understanding based on the interpretive-critical association of delirious phenomena.” In addition to meticulously painting fantastic compositions, such as The Accommodations of Desire (1929) and the melting clocks in his famed The Persistence of Memory (1931), Dalí was a prolific writer and early filmmaker, and cultivated an eccentric public persona with his flamboyant mustache, pet ocelot, and outlandish behavior and quips.

Salvador Dalí

Ultra-Surrealistic Corpuscular Galutska; and The Eye of Surrealistic Time, from Memories of Surrealism, 1971

Two drypoints over lithograph in colors, on Arches paper, with full margins.
Bidding closed
Want to sell a work by this artist? Consign with Artsy.
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