Salvador Dalí, ‘Vanity of Vanities’, 1967, Baterbys Art Gallery

Dali uses a rich color palette to portray King Solomon. Sections of magenta, dark blue, and red swirl around him. In the center, there is a globe with melted hands, a reference to Dali's melted clocks. The theme of this piece is the vanity of material possessions. Solomon acknowledges that his possessions did not bring him happiness.

Series: From the Biblia Sacra Suite: the largest suite of prints ever produced by Salvador Dali

Signature: Signed in the plate, lower left

Publisher: Rizzoli of Milan, Italy

Biblia Sacra: Dali & His Bible - Baterbys Art Gallery (Nov. 2017 - Jan. 2018)

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About Salvador Dalí

Salvador Dalí was a leading proponent of Surrealism, the 20-century avant-garde movement that sought to release the creative potential of the unconscious through strange, dream-like imagery. “Surrealism is destructive, but it destroys only what it considers to be shackles limiting our vision,” he said. Dalí is specially credited with the innovation of “paranoia-criticism,” a philosophy of art making he defined as “irrational understanding based on the interpretive-critical association of delirious phenomena.” In addition to meticulously painting fantastic compositions, such as The Accommodations of Desire (1929) and the melting clocks in his famed The Persistence of Memory (1931), Dalí was a prolific writer and early filmmaker, and cultivated an eccentric public persona with his flamboyant mustache, pet ocelot, and outlandish behavior and quips. “Each morning when I awake, I experience again a supreme pleasure,” he once said. “That of being Salvador Dalí.”

Spanish, 1904-1989, Figueres, Spain