Sam Durant, ‘Upside Down Chairs’, 2000, Rago/Wright
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Sam Durant

Upside Down Chairs, 2000

Offset lithograph on paper
24 × 17 1/4 in
61 × 43.8 cm
Bidding closed
About the work
Provenance
RW
Rago/Wright

Printed to lower left ’Upside Down Chairs Sam Durant 2000’.

Medium
Sam Durant
American, b. 1961
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Sam Durant is most interested in the political dimension of cultural events, and creating new visualizations of what has become accepted or forgotten as part of history. The ever-growing range of subjects that has caught his interest include student riots, the Kent State massacre, the Civil Rights movement, international trade relationships, and conflict between Native Americans and settlers. Durant’s projects are often critical and playful at the same time. He draws widely from a range of disciplines and techniques, including ceramic, fabricated globes, printed matter, interactive websites, and photography. Durant has a particularly persisting interest in public monuments.

Sam Durant, ‘Upside Down Chairs’, 2000, Rago/Wright
Save
Save
View
View in room
Share
Share
About the work
Provenance
RW
Rago/Wright

Printed to lower left ’Upside Down Chairs Sam Durant 2000’.

Medium
Sam Durant
American, b. 1961
Follow

Sam Durant is most interested in the political dimension of cultural events, and creating new visualizations of what has become accepted or forgotten as part of history. The ever-growing range of subjects that has caught his interest include student riots, the Kent State massacre, the Civil Rights movement, international trade relationships, and conflict between Native Americans and settlers. Durant’s projects are often critical and playful at the same time. He draws widely from a range of disciplines and techniques, including ceramic, fabricated globes, printed matter, interactive websites, and photography. Durant has a particularly persisting interest in public monuments.

Sam Durant

Upside Down Chairs, 2000

Offset lithograph on paper
24 × 17 1/4 in
61 × 43.8 cm
Bidding closed
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