Sam Falls, ‘Untitled (Pillows 5, Topanga CA)’, 2013, Hannah Hoffman Gallery & Galerie Balice Hertling

About Sam Falls

Known for combining photography, painting, and sculpture, Sam Falls explores the intersection of color, digital imagery, and natural processes. His painted photographic prints raise questions about perception and how we relate to various media. Mellon, Bartlett Pears (2011), for instance, asks whether an enlarged, two-dimensional photograph of a pear (fruit is one of Falls’ favored subjects), or an imprint made from the fruit itself, “is a more honest representation of a pear?” To produce the image, Falls photographed an arrangement of fruit with a large-format camera, Photoshopped the image, and then stamped the print with paint-covered pears (imprinting the pear’s cross-section as well as its side). “My images are not only investigating the medium’s potential as an art form, but also continue exploring photography’s capacity for representation and challenging its veracity,” Falls explains.

American, b. 1984, San Diego, California, based in Los Angeles, California

Exhibition Highlights On Artsy

2017
Concrete Island, VENUS, Los Angeles
2016
a certain kind of Eden, Burning in Water, New York
2016
Wasteland, Mona Bismarck American Center
2014
Sam Falls: Light Over Time, Public Art Fund, Brooklyn