Sam Francis, ‘Blue Cut Sail’, 1969, Bernard Jacobson Gallery

Signature: Signed lower left verso, numbered lower left verso, publisher's chop lower left verso.

Los Angeles 1974, Boise 1979, Praz 1982, New York 1990.

The Prints of Sam Francis: A Catalogue Raisonne 1960-1990', by Connie W. Lembark, Volume I, ( 1992: Hudson Hills Press, New York), p.164, L.102

About Sam Francis

The painterly abstraction of Sam Francis is most often associated with the American Abstract Expressionist movement, but Francis also spent a great deal of time in Paris and became linked with the parallel movement of Art Informel in Europe. Francis’ most iconic works are characterized by saturated splashes of color that populate the edges of the canvas in order to emphasize the luminous white void in the center. This contrast between the vibrancy of Francis’ color palette and the austere white picture plane demonstrate the artist’s concern with relationships of space, color, and light, as opposed to the psychologically expressive tendencies of contemporaries such as Jackson Pollock.

American, 1923-1994, San Mateo, California, based in Paris and Santa Monica, California

Exhibition Highlights

2017
London,
Art Basel 2017 - Private
2014
Munich,
Hans Hoffmann - Joan Mitchell - Sam Frances