Sam Francis, ‘Concert Hall Set I’, 1977, Bernard Jacobson Gallery

Paper: Rives BFK
Proofs: 1 BAT, 6 AP, 6 CTP

Publisher: Louisiana Museum of Modern Art, Humlebaek, Denmark Printed by George Page at at the Litho Shop, Inc., Santa Monica, California Proofing period: July 1977
Printing period: 5-13 July 1977

Signature: Signed lower right; numbered lower left; publisher's chop lower right.

Honolulu Academy of Arts, Honolulu, Lithographs by Sam Francis, 1977.
Bernard Jacobson Gallery, New York, Sam Francis: New Prints, 1986.
Bernard Jacobson Gallery, London, Sam Francis, 1986.

'The Prints of Sam Francis: A Catalogue Raisonne 1960-1990', by Connie W. Lembark, Volume I, ( 1992: Hudson Hills Press, New York), p.320, L.223

About Sam Francis

The painterly abstraction of Sam Francis is most often associated with the American Abstract Expressionist movement, but Francis also spent a great deal of time in Paris and became linked with the parallel movement of Art Informel in Europe. Francis’ most iconic works are characterized by saturated splashes of color that populate the edges of the canvas in order to emphasize the luminous white void in the center. This contrast between the vibrancy of Francis’ color palette and the austere white picture plane demonstrate the artist’s concern with relationships of space, color, and light, as opposed to the psychologically expressive tendencies of contemporaries such as Jackson Pollock.

American, 1923-1994, San Mateo, California, based in Paris and Santa Monica, California