Sam Francis, ‘Very First Stone’, 1959-68, Skinner

Edition of 25, printed and Published by ULAE, West Islip, New York (Lembark, 96)
Image Size: 20.25 x 16 in. (51.3 x 40.5 cm), framed.

Signature: Signed "Sam Francis" in pencil l.r., numbered, titled, and dated "15/25...1959-1968" in pencil l.l., publisher's dry stamp l.l., identified on a label from the Lee Gallery, Belmont, Massachusetts, affixed to the backing, temporary loan label from the Smith College Museum of Art affixed to the backing.

Publisher: Printed and published by ULAE, West Islip, New York (Lembark, 96)

About Sam Francis

The painterly abstraction of Sam Francis is most often associated with the American Abstract Expressionist movement, but Francis also spent a great deal of time in Paris and became linked with the parallel movement of Art Informel in Europe. Francis’ most iconic works are characterized by saturated splashes of color that populate the edges of the canvas in order to emphasize the luminous white void in the center. This contrast between the vibrancy of Francis’ color palette and the austere white picture plane demonstrate the artist’s concern with relationships of space, color, and light, as opposed to the psychologically expressive tendencies of contemporaries such as Jackson Pollock.

American, 1923-1994, San Mateo, California, based in Paris and Santa Monica, California