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Sammy Baloji, ‘Raccord #5, Mine à ciel ouvert noyée de Banfora from the series: Kolwezi’, 2011, Axis Gallery
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Sammy Baloji

Raccord #5, Mine à ciel ouvert noyée de Banfora from the series: Kolwezi, 2011

Digital inkjet print
31 1/2 × 91 in
80 × 231.1 cm
Edition of 5 + 2AP
This is part of a limited edition set.
About the work
Bibliography
Provenance
Medium
Photography
Signature
Certificate of authenticity with artist signature
Series
Kolwezi
Image rights
Copyright the artist and Axis Gallery
Sammy Baloji
Congolese, b. 1978
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Sammy Baloji’s artistic concern is rooted in the daily life of Congolege people, and he uses photography to explore his country’s present and to retell its history from the perspective of its people. “Ethnography, architecture, and urbanism [are] among my current focuses,” he has written. “My reading of the Congolese past is a way of analyzing African identity today, through all the political systems that the society has experienced.” He often combines archival photographs with his own shots of the people and places bearing the marks of colonialism. In his “Mémoire” series (2006), for example, he focuses on the former mining town of Lubumbashi. By superimposing photographs of the people who worked and ran the mines over his own images of these now disused structures, he reveals the ongoing ramifications of the past.

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Sammy Baloji, ‘Raccord #5, Mine à ciel ouvert noyée de Banfora from the series: Kolwezi’, 2011, Axis Gallery
Navigate right
Save
Save
View
View in room
Share
Share
About the work
Bibliography
Provenance
Medium
Photography
Signature
Certificate of authenticity with artist signature
Series
Kolwezi
Image rights
Copyright the artist and Axis Gallery
Sammy Baloji
Congolese, b. 1978
Follow

Sammy Baloji’s artistic concern is rooted in the daily life of Congolege people, and he uses photography to explore his country’s present and to retell its history from the perspective of its people. “Ethnography, architecture, and urbanism [are] among my current focuses,” he has written. “My reading of the Congolese past is a way of analyzing African identity today, through all the political systems that the society has experienced.” He often combines archival photographs with his own shots of the people and places bearing the marks of colonialism. In his “Mémoire” series (2006), for example, he focuses on the former mining town of Lubumbashi. By superimposing photographs of the people who worked and ran the mines over his own images of these now disused structures, he reveals the ongoing ramifications of the past.

Sammy Baloji

Raccord #5, Mine à ciel ouvert noyée de Banfora from the series: Kolwezi, 2011

Digital inkjet print
31 1/2 × 91 in
80 × 231.1 cm
Edition of 5 + 2AP
This is part of a limited edition set.
Other works by Sammy Baloji
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