Sammy Baloji, ‘Untitled 13, Mémoire’, 2006, Axis Gallery

Series: Mémoire

Signature: Signed Certificate of Authenticity

Image rights: Copyright the artist and Axis Gallery

Spatial Stories: Topographies of Change in Africa, February 6 - April 4, 2015, Center for Visual Art, MSU, Denver.
The Beautiful Time in Lubumbashi: Photography by Sammy Baloji, curated by Bogumil Jewsiewicki. The Museum for African Art, New York, 2010.

Bogumil Jewsiewicki. The Beautiful Time in Lubumbashi: Photography by Sammy Baloji, Museum for African Art, New York. 2010.
Sammy Baloji: Mémoire/Kolwezi (Africalia) 2014. Essay by Achille Mbembe

About Sammy Baloji

Sammy Baloji’s artistic concern is rooted in the daily life of Congolege people, and he uses photography to explore his country’s present and to retell its history from the perspective of its people. “Ethnography, architecture, and urbanism [are] among my current focuses,” he has written. “My reading of the Congolese past is a way of analyzing African identity today, through all the political systems that the society has experienced.” He often combines archival photographs with his own shots of the people and places bearing the marks of colonialism. In his “Mémoire” series (2006), for example, he focuses on the former mining town of Lubumbashi. By superimposing photographs of the people who worked and ran the mines over his own images of these now disused structures, he reveals the ongoing ramifications of the past.

Congolese, b. 1978, Democratic Republic of Congo, based in Lubumbashi, Democratic Republic of Congo, and Brussels, Belgium