Sarkis, ‘Untitled (1963.9.7)’, 1963, Galerie Nathalie Obadia
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Sarkis

Untitled (1963.9.7), 1963

Mixed media on paper
22 × 16 3/10 × 1 1/5 in
56 × 41.5 × 3 cm
.
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Location
Paris, Brussels , Geneva
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About the work
Medium
Sarkis
Turkish-Armenian, b. 1938
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A prominent and influential conceptual artist, Sarkis Zabunyan, known as Sarkis, has produced films, drawings, texts, photographs, and site-specific works that explore wide-ranging themes, including his own physical and psychological experience and issues of exile, freedom, and cultural difference. In his exhibition “Izik/Twin” (2013), he responded to the gallery space and context—the site of an old wheat mill based in Istanbul—merging architectural and historical references with the artist’s concern with material and gesture. The exhibition included a semi-permeable wooden crate placed on shipping pallets, containing bubble-wrap and covered by a copper lid, creating tension between the work’s disposable and more permanent materials, and a video in which the artist drips candlewax into his palm, turning a gesture of supplication into a source of physical pain. In other work, Sarkis has explored the relationship between cinema and contemporary art.

Sarkis, ‘Untitled (1963.9.7)’, 1963, Galerie Nathalie Obadia
Save
Save
Share
Share
About the work
Medium
Sarkis
Turkish-Armenian, b. 1938
Follow

A prominent and influential conceptual artist, Sarkis Zabunyan, known as Sarkis, has produced films, drawings, texts, photographs, and site-specific works that explore wide-ranging themes, including his own physical and psychological experience and issues of exile, freedom, and cultural difference. In his exhibition “Izik/Twin” (2013), he responded to the gallery space and context—the site of an old wheat mill based in Istanbul—merging architectural and historical references with the artist’s concern with material and gesture. The exhibition included a semi-permeable wooden crate placed on shipping pallets, containing bubble-wrap and covered by a copper lid, creating tension between the work’s disposable and more permanent materials, and a video in which the artist drips candlewax into his palm, turning a gesture of supplication into a source of physical pain. In other work, Sarkis has explored the relationship between cinema and contemporary art.

Sarkis

Untitled (1963.9.7), 1963

Mixed media on paper
22 × 16 3/10 × 1 1/5 in
56 × 41.5 × 3 cm
.
Contact For Price
Location
Paris, Brussels , Geneva
Have a question? Visit our help center.
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