Saul Leiter, ‘Pizza Paterson’, 1952, Photography, Chromogenic print, printed later, GALLERY FIFTY ONE
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Saul Leiter

Pizza Paterson, 1952

Chromogenic print, printed later
15 7/10 × 19 7/10 in
40 × 50 cm
Contact For Price
Location
Antwerp
Have a question? Visit our help center.
About the work
Provenance
Medium
Signature
Signed and numbered in ink on verso.
Series
Edition of 10
Saul Leiter
American, 1923–2013
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Saul Leiter received no formal training, but has gained renown for his street photography. Leiter originally moved to New York in 1946 to become a painter, though he quickly became attracted to the potential of photography, taking to the streets to shoot black-and-white images. His career took a turn for the better when Edward Steichen discovered and exhibited his work at the Museum of Modern Art. In the 1950s and ’60s, Leiter was widely known as a fashion photographer; he made color photographs for his own pleasure, and kept these to himself until the 1990s. Leiter would purchase inexpensive color film past its expiration date, embracing the chemical mistakes that would result on his final prints. As such, his photographs are known for their abstract elements.

Saul Leiter, ‘Pizza Paterson’, 1952, Photography, Chromogenic print, printed later, GALLERY FIFTY ONE
Save
Save
View
View in room
Share
Share
About the work
Provenance
Medium
Signature
Signed and numbered in ink on verso.
Series
Edition of 10
Saul Leiter
American, 1923–2013
Follow

Saul Leiter received no formal training, but has gained renown for his street photography. Leiter originally moved to New York in 1946 to become a painter, though he quickly became attracted to the potential of photography, taking to the streets to shoot black-and-white images. His career took a turn for the better when Edward Steichen discovered and exhibited his work at the Museum of Modern Art. In the 1950s and ’60s, Leiter was widely known as a fashion photographer; he made color photographs for his own pleasure, and kept these to himself until the 1990s. Leiter would purchase inexpensive color film past its expiration date, embracing the chemical mistakes that would result on his final prints. As such, his photographs are known for their abstract elements.

Saul Leiter

Pizza Paterson, 1952

Chromogenic print, printed later
15 7/10 × 19 7/10 in
40 × 50 cm
Contact For Price
Location
Antwerp
Have a question? Visit our help center.
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Street Photography
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