Sebastian Lloyd Rees, ‘Untitled’, 2019, VI, VII
Sebastian Lloyd Rees, ‘Untitled’, 2019, VI, VII
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Untitled, 2019

Industrial paint, Canson 300G. Framed in maple wood with museum glass
28 × 22 × 4/5 in
71 × 56 × 2 cm
This is a unique work.
Contact For Price
location
Oslo
Have a question? Read our FAQ.
About the work
Image rights
VI, VII, Oslo
Signature
Certificate of Authenticity is available.
Sebastian Lloyd Rees
Norwegian, b. 1986
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Appropriating urban objects such as scrap metal, doors, old signs, and other industrial fragments, …

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Appropriating urban objects such as scrap metal, doors, old signs, and other industrial fragments, sculptor Sebastian Lloyd Rees has created an archeological language from urban detritus. Rees sources materials from a variety of locations, and with each reveals elements of certain microcultures forming in these areas. …

Read more
Sebastian Lloyd Rees, ‘Untitled’, 2019, VI, VII
Sebastian Lloyd Rees, ‘Untitled’, 2019, VI, VII
Save
Save
share
Share
Save
Save
share
Share
About the work
Image rights
VI, VII, Oslo
Signature
Certificate of Authenticity is available.
Sebastian Lloyd Rees
Norwegian, b. 1986
Follow

Appropriating urban objects such as scrap metal, doors, old signs, and other industrial fragments, …

Read more

Appropriating urban objects such as scrap metal, doors, old signs, and other industrial fragments, sculptor Sebastian Lloyd Rees has created an archeological language from urban detritus. Rees sources materials from a variety of locations, and with each reveals elements of certain microcultures forming in these areas. …

Read more

Untitled, 2019

Industrial paint, Canson 300G. Framed in maple wood with museum glass
28 × 22 × 4/5 in
71 × 56 × 2 cm
This is a unique work.
Contact For Price
location
Oslo
Have a question? Read our FAQ.