Medium
Signature
Signed, titled, and dated in pencil on verso
Image rights
©Amazonas Images

Sebastião Salgado travels the world documenting the poor and powerless, as well as the grandeur of nature, in analog black-and-white photographs that are both highly formal and unflinchingly documentary. Influenced by his training as an economist, and aligned with masters of documentary photography like Robert Capa and Henri Cartier-Bresson, Salgado focuses on the adverse results of globalization. As he explains: “Each of my stories is about globalization and economic liberalization: a sample of the human condition on the planet today.” That condition is one of peril for those at the bottom of the global economy, as photographs like Legs, Serra Pelada, Brasil (1986) attest. In this photograph, Salgado hones in on the taut, muscular legs of Brazilian miners. Barely covered by sweat-drenched shorts, the men’s legs seem strong yet fragile, as Salgado captures them straining against an incline of bare earth.

Blue chip
Represented by internationally recognized galleries.
Collected by major museums
Tate, Museum of Modern Art (MoMA)
Selected exhibitions
2021
Sebastião SalgadoSundaram Tagore Gallery
2017
Sebastião Salgado: KuwaitSundaram Tagore Gallery
2015
SCENT OF A DREAM. A journey in the world of coffeeFondazione Bevilacqua la Masa
View all

Alaska, USA, 2009

Gelatin Silver Print
20 × 24 in
50.8 × 61 cm
Contact For Price
Location
Santa Monica
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Medium
Signature
Signed, titled, and dated in pencil on verso
Image rights
©Amazonas Images

Sebastião Salgado travels the world documenting the poor and powerless, as well as the grandeur of nature, in analog black-and-white photographs that are both highly formal and unflinchingly documentary. Influenced by his training as an economist, and aligned with masters of documentary photography like Robert Capa and Henri Cartier-Bresson, Salgado focuses on the adverse results of globalization. As he explains: “Each of my stories is about globalization and economic liberalization: a sample of the human condition on the planet today.” That condition is one of peril for those at the bottom of the global economy, as photographs like Legs, Serra Pelada, Brasil (1986) attest. In this photograph, Salgado hones in on the taut, muscular legs of Brazilian miners. Barely covered by sweat-drenched shorts, the men’s legs seem strong yet fragile, as Salgado captures them straining against an incline of bare earth.

Blue chip
Represented by internationally recognized galleries.
Collected by major museums
Tate, Museum of Modern Art (MoMA)
Selected exhibitions (3)
Other works by Sebastião Salgado
Other works from Peter Fetterman Gallery
Related works
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