Sebastião Salgado, ‘Sicilian Fishermen’, 1993, Be-hold

SEBASTIO SALGADO, "SICILIAN FISHERMEN" 1993. 9 1/2 x 14 - inch image gelatin silver print. Bold signature and dedication in pen on bottom margin. There are technical notes on the film and paper plus a signature in pencil verso.

"Salgado's epic international study of manual labor drew the photographer to the fishing town of Trapani, Sicily, in 1991. There he surveyed the centuries-old tuna-fishing methods that today remain under threat of elimination by aggressive forms of modern industrial fishing."

  • courtesy of Philadelphia Museum of Art

Signature: signed and dedicated

from Ken Lassiter Collection

About Sebastião Salgado

Sebastião Salgado travels the world documenting the poor and powerless, as well as the grandeur of nature, in analog black-and-white photographs that are both highly formal and unflinchingly documentary. Influenced by his training as an economist, and aligned with masters of documentary photography like Robert Capa and Henri Cartier-Bresson, Salgado focuses on the adverse results of globalization. As he explains: “Each of my stories is about globalization and economic liberalization: a sample of the human condition on the planet today.” That condition is one of peril for those at the bottom of the global economy, as photographs like Legs, Serra Pelada, Brasil (1986) attest. In this photograph, Salgado hones in on the taut, muscular legs of Brazilian miners. Barely covered by sweat-drenched shorts, the men’s legs seem strong yet fragile, as Salgado captures them straining against an incline of bare earth.

Brazilian, b. 1944, Aimorés, Brazi, based in Paris, France