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The Eastern Part of the Brooks Range, Alaska, 2009

Gelatin silver print, printed later.
14 1/2 × 20 1/10 in
36.8 × 51 cm
Bidding closed
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About the work
Bibliography
P
Phillips

Property Subject to VAT Section 4: 5% (see Conditions of Sale for further information)

Property …

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Property Subject to VAT Section 4: 5% (see Conditions of Sale for further information)

Property Subject to Artist's Resale Right (see Conditions of Sale for further information)

36.8 x 51 cm (14 1/2 x 20 1/8 in.)

Signature
Credit blindstamp in the margin; signed, titled 'Alaska' and dated in pencil on the verso.
Sebastião Salgado
Brazilian, b. 1944
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Sebastião Salgado travels the world documenting the poor and powerless, as well as the grandeur of nature, in analog black-and-white photographs that are both highly formal and unflinchingly documentary. Influenced by his training as an economist, and aligned with masters of documentary photography like Robert Capa and Henri Cartier-Bresson, Salgado focuses on the adverse results of globalization. As he explains: “Each of my stories is about globalization and economic liberalization: a sample of the human condition on the planet today.” That condition is one of peril for those at the bottom of the global economy, as photographs like Legs, Serra Pelada, Brasil (1986) attest. In this photograph, Salgado hones in on the taut, muscular legs of Brazilian miners. Barely covered by sweat-drenched shorts, the men’s legs seem strong yet fragile, as Salgado captures them straining against an incline of bare earth.

Save
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view
View in room
share
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Save
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view
View in room
share
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About the work
Bibliography
P
Phillips

Property Subject to VAT Section 4: 5% (see Conditions of Sale for further information)

Property …

Read more

Property Subject to VAT Section 4: 5% (see Conditions of Sale for further information)

Property Subject to Artist's Resale Right (see Conditions of Sale for further information)

36.8 x 51 cm (14 1/2 x 20 1/8 in.)

Signature
Credit blindstamp in the margin; signed, titled 'Alaska' and dated in pencil on the verso.
Sebastião Salgado
Brazilian, b. 1944
Follow

Sebastião Salgado travels the world documenting the poor and powerless, as well as the grandeur of nature, in analog black-and-white photographs that are both highly formal and unflinchingly documentary. Influenced by his training as an economist, and aligned with masters of documentary photography like Robert Capa and Henri Cartier-Bresson, Salgado focuses on the adverse results of globalization. As he explains: “Each of my stories is about globalization and economic liberalization: a sample of the human condition on the planet today.” That condition is one of peril for those at the bottom of the global economy, as photographs like Legs, Serra Pelada, Brasil (1986) attest. In this photograph, Salgado hones in on the taut, muscular legs of Brazilian miners. Barely covered by sweat-drenched shorts, the men’s legs seem strong yet fragile, as Salgado captures them straining against an incline of bare earth.

The Eastern Part of the Brooks Range, Alaska, 2009

Gelatin silver print, printed later.
14 1/2 × 20 1/10 in
36.8 × 51 cm
Bidding closed
Want to sell a work by this artist? Consign with Artsy.
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