Sebastião Salgado, ‘The Eastern Part of the Brooks Range, Arctic National Wildlife Refuge, Alaska, USA’, 2009, Phillips

Property Subject to VAT Section 2; Property Subject to Artist's Resale Right (see Conditions of Sale for further information)

Signature: Signed, dated and annotated 'Alaska' in pencil on the verso.

Sebastião Salgado, London: Beetles+Huxley, 2014, pl. 42
S.Salgado, Genesis, Cologne: Taschen, 2013, p. 323

NB Pictures, London

About Sebastião Salgado

Sebastião Salgado travels the world documenting the poor and powerless, as well as the grandeur of nature, in analog black-and-white photographs that are both highly formal and unflinchingly documentary. Influenced by his training as an economist, and aligned with masters of documentary photography like Robert Capa and Henri Cartier-Bresson, Salgado focuses on the adverse results of globalization. As he explains: “Each of my stories is about globalization and economic liberalization: a sample of the human condition on the planet today.” That condition is one of peril for those at the bottom of the global economy, as photographs like Legs, Serra Pelada, Brasil (1986) attest. In this photograph, Salgado hones in on the taut, muscular legs of Brazilian miners. Barely covered by sweat-drenched shorts, the men’s legs seem strong yet fragile, as Salgado captures them straining against an incline of bare earth.

Brazilian, b. 1944, Aimorés, Brazi, based in Paris, France