Sebastião Salgado, ‘Women in the Zo’é village of Towari Ypy color their bodies with the red fruit of the urucum. Pará, Brazil’, 2009, Photography, Gelatin silver print, Sundaram Tagore Gallery
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Sebastião Salgado

Women in the Zo’é village of Towari Ypy color their bodies with the red fruit of the urucum. Pará, Brazil, 2009

Gelatin silver print
24 × 35 in
61 × 88.9 cm
.
Contact For Price
Location
New York, Central, Hong Kong, Singapore
Have a question? Visit our help center.
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About the work
Articles
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Signature
Hand-signed by artist
Frame
Not included
Sebastião Salgado
Brazilian, b. 1944
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Sebastião Salgado travels the world documenting the poor and powerless, as well as the grandeur of nature, in analog black-and-white photographs that are both highly formal and unflinchingly documentary. Influenced by his training as an economist, and aligned with masters of documentary photography like Robert Capa and Henri Cartier-Bresson, Salgado focuses on the adverse results of globalization. As he explains: “Each of my stories is about globalization and economic liberalization: a sample of the human condition on the planet today.” That condition is one of peril for those at the bottom of the global economy, as photographs like Legs, Serra Pelada, Brasil (1986) attest. In this photograph, Salgado hones in on the taut, muscular legs of Brazilian miners. Barely covered by sweat-drenched shorts, the men’s legs seem strong yet fragile, as Salgado captures them straining against an incline of bare earth.

Sebastião Salgado, ‘Women in the Zo’é village of Towari Ypy color their bodies with the red fruit of the urucum. Pará, Brazil’, 2009, Photography, Gelatin silver print, Sundaram Tagore Gallery
Save
Save
View
View in room
Share
Share
About the work
Articles
Medium
Signature
Hand-signed by artist
Frame
Not included
Sebastião Salgado
Brazilian, b. 1944
Follow

Sebastião Salgado travels the world documenting the poor and powerless, as well as the grandeur of nature, in analog black-and-white photographs that are both highly formal and unflinchingly documentary. Influenced by his training as an economist, and aligned with masters of documentary photography like Robert Capa and Henri Cartier-Bresson, Salgado focuses on the adverse results of globalization. As he explains: “Each of my stories is about globalization and economic liberalization: a sample of the human condition on the planet today.” That condition is one of peril for those at the bottom of the global economy, as photographs like Legs, Serra Pelada, Brasil (1986) attest. In this photograph, Salgado hones in on the taut, muscular legs of Brazilian miners. Barely covered by sweat-drenched shorts, the men’s legs seem strong yet fragile, as Salgado captures them straining against an incline of bare earth.

Sebastião Salgado

Women in the Zo’é village of Towari Ypy color their bodies with the red fruit of the urucum. Pará, Brazil, 2009

Gelatin silver print
24 × 35 in
61 × 88.9 cm
.
Contact For Price
Location
New York, Central, Hong Kong, Singapore
Have a question? Visit our help center.
Want to sell a work by this artist? Consign with Artsy.
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