Seydou Keïta, ‘father and daughter’, 1949-1951, RMN Grand Palais

Tirage argentique moderne réalisé en 1998 sous la supervision de Seydou Keïta

Signature: Seydou Keïta

Genève, Contemporary African Art Collection

About Seydou Keïta

In 1948, Seydou Keïta opened a portrait studio in which he would capture a Bamako society teetering on the brink of post-colonialism. Whether of individuals or families, a sense of formality pervades each black-and-white photograph, which Keïta would take in a single shot, directing his subjects to hold distinct poses or overtly display props. Despite their staging, each photograph’s careful framework captures personality and specifics of circumstance, at once yielding intimate portraits intended for personal use and examples of Keïta’s mastery of light and composition. Following Mali’s gain of independence in 1960, Keïta was ordered to close his studio and so buried his collection of negatives; their uncovering and dissemination was only arranged several decades later when a French photojournalist met the artist in Mali and connected him with a private collector.

Malian, 1921-2001, Bamako, Mali, based in Bamako, Bamako Capital District, Mali

Solo Shows on Artsy

Seydou Keïta, Leila Heller Gallery, Dubai
Seydou Keita, RMN Grand Palais, Paris

Group Shows on Artsy

African Portraits, HackelBury Fine Art, London