Shahzia Sikander, ‘Singing Sphere I’, 2014, Pilar Corrias Gallery
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Singing Sphere I, 2014

Ink, gouache, gold leaf on paper
90 × 60 in
228.6 × 152.4 cm
Contact For Price
Location
London
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About the work
Articles
Medium
Drawing, Collage or other Work on Paper
Shahzia Sikander
Pakistani-American, b. 1969
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With Indo-Persian miniature painting forming the basis for all of her work—including her own approach to this traditional art form, as well as animation, video, photography, murals, and installation—Shahzia Sikander explores history, politics, and current events, as well as interpersonal themes. She trained under a traditional master, and went on to pioneer alternative approaches to miniature painting. “I found it ripe with potential—to change its status and its narrative and to deconstruct its stereotypes,” she writes. “I recognized…a path to expanding the medium from within, embracing the complexities of craft and rigor in order to open up possibilities for dialogue.” Among the ways she does this is by combining different religious and cultural references in her internationally acclaimed work, which was included in the 2005 Venice Biennale and the 1997 Whitney Biennial.

Shahzia Sikander, ‘Singing Sphere I’, 2014, Pilar Corrias Gallery
Save
Save
View
View in room
Share
Share
About the work
Articles
Medium
Drawing, Collage or other Work on Paper
Shahzia Sikander
Pakistani-American, b. 1969
Follow

With Indo-Persian miniature painting forming the basis for all of her work—including her own approach to this traditional art form, as well as animation, video, photography, murals, and installation—Shahzia Sikander explores history, politics, and current events, as well as interpersonal themes. She trained under a traditional master, and went on to pioneer alternative approaches to miniature painting. “I found it ripe with potential—to change its status and its narrative and to deconstruct its stereotypes,” she writes. “I recognized…a path to expanding the medium from within, embracing the complexities of craft and rigor in order to open up possibilities for dialogue.” Among the ways she does this is by combining different religious and cultural references in her internationally acclaimed work, which was included in the 2005 Venice Biennale and the 1997 Whitney Biennial.

Singing Sphere I, 2014

Ink, gouache, gold leaf on paper
90 × 60 in
228.6 × 152.4 cm
Contact For Price
Location
London
Have a question? Visit our help center.
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