Shao Fan, ‘Half table’, 2018, Design/Decorative Art, Mahogany, NO 55 ART SPACE
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Shao Fan

Half table, 2018

Mahogany
35 2/5 × 39 2/5 × 11 4/5 in
90 × 100 × 30 cm
.
Location
Beijing
About the work
Medium
Shao Fan
Chinese, b. 1964
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A painter, designer, and sculptor, Shao Yan is best known for his series of chairs that reinterpret Ming Dynasty furniture. Shao believes that Ming furniture expresses the chief tenets of Chinese philosophy; by combining ancient designs with the clean lines and geometry of contemporary aesthetics, he suggests the cultural and philosophical changes undergone in modern-day China. Through their resemblance to Chinese characters, some of Shao’s chairs were designed to parody the modern fascination with the logography of Chinese script. He also produces oil paintings that reinterpret the old “literati” style of Chinese paintings, referencing their stark and sober palettes and drawing from Chinese philosophy through their balanced depiction of the natural world. Born into a family of renowned artists—Shao’s parents were assigned to paint Maoist propaganda during the Cultural Revolution—Shao was one of the first Chinese artists to explore the boundaries between visual art and furniture.

Shao Fan, ‘Half table’, 2018, Design/Decorative Art, Mahogany, NO 55 ART SPACE
Save
Save
Share
Share
About the work
Medium
Shao Fan
Chinese, b. 1964
Follow

A painter, designer, and sculptor, Shao Yan is best known for his series of chairs that reinterpret Ming Dynasty furniture. Shao believes that Ming furniture expresses the chief tenets of Chinese philosophy; by combining ancient designs with the clean lines and geometry of contemporary aesthetics, he suggests the cultural and philosophical changes undergone in modern-day China. Through their resemblance to Chinese characters, some of Shao’s chairs were designed to parody the modern fascination with the logography of Chinese script. He also produces oil paintings that reinterpret the old “literati” style of Chinese paintings, referencing their stark and sober palettes and drawing from Chinese philosophy through their balanced depiction of the natural world. Born into a family of renowned artists—Shao’s parents were assigned to paint Maoist propaganda during the Cultural Revolution—Shao was one of the first Chinese artists to explore the boundaries between visual art and furniture.

Shao Fan

Half table, 2018

Mahogany
35 2/5 × 39 2/5 × 11 4/5 in
90 × 100 × 30 cm
.
Location
Beijing
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