Shaun O'Dell, ‘TR’, 2014, Print, Photolithograph on tinted flat, Inman Gallery
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Shaun O'Dell

TR, 2014

Photolithograph on tinted flat
30 1/8 × 21 3/4 in
76.5 × 55.2 cm
.
$1,000 - 2,500
Location
Houston
Have a question? Visit our help center.
About the work
Medium
Publisher
Island Press, Washington University, St. Louis, MO USA
Shaun O'Dell
American, b. 1968
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Through a diverse range of work—including drawings, videos, music, and sculptures—Shaun O’Dell explores Americans’ fraught relationship with nature. As he describes: “For years my drawings—and paintings as well—have been thoughts about how we engage and interact with nature. Specifically, I have been interested in: how our engagement with nature has influenced the development of the American mind […].” For O’Dell, the American attitude towards nature has been driven by a destroy-and-conquer ethos, which extends to ideology, politics, and international relations. He simultaneously conveys and rejects this attitude and its development in his works, in which he re-interprets American history. Borrowing the iconography of timelines, maps, and geological charts, he crafts meticulous compositions full of abstract and semi-representational forms that read as such natural phenomena as sunsets, or manmade forces like nuclear explosions.

Shaun O'Dell, ‘TR’, 2014, Print, Photolithograph on tinted flat, Inman Gallery
Save
Save
View
View in room
Share
Share
About the work
Medium
Publisher
Island Press, Washington University, St. Louis, MO USA
Shaun O'Dell
American, b. 1968
Follow

Through a diverse range of work—including drawings, videos, music, and sculptures—Shaun O’Dell explores Americans’ fraught relationship with nature. As he describes: “For years my drawings—and paintings as well—have been thoughts about how we engage and interact with nature. Specifically, I have been interested in: how our engagement with nature has influenced the development of the American mind […].” For O’Dell, the American attitude towards nature has been driven by a destroy-and-conquer ethos, which extends to ideology, politics, and international relations. He simultaneously conveys and rejects this attitude and its development in his works, in which he re-interprets American history. Borrowing the iconography of timelines, maps, and geological charts, he crafts meticulous compositions full of abstract and semi-representational forms that read as such natural phenomena as sunsets, or manmade forces like nuclear explosions.

Shaun O'Dell

TR, 2014

Photolithograph on tinted flat
30 1/8 × 21 3/4 in
76.5 × 55.2 cm
.
$1,000 - 2,500
Location
Houston
Have a question? Visit our help center.
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