Sheila Hicks, ‘Study for the Decor of Dupont De Nemours Headquarters’, 1972-1973, Demisch Danant

Signature: Dedicated, signed and dated For Monty Love Sheila Hicks Paris 73 on the reverse

Monique Lévi-Strauss, Sheila Hicks, Paris, 1974, pp. 52-53 for several views of the project realised for the company DuPont de Nemours in their headquarters in Wilmington, Delaware

Gift from the artist to the parents of the present owners
Private collection, Belgium

About Sheila Hicks

Pioneering fiber artist Sheila Hicks blurs the boundary between painting and sculpture with her vibrant woven and textile works, which she creates in many shapes and sizes, from wall mountings that mimic the format of painting to suspended pieces that hang from ceiling to floor like textured columns. Hicks studied at Yale under the famed color theorist Josef Albers and was encouraged by Albers’ textile artist wife, Anni, to travel and investigate the artisanal fabrics of Colombia, Chile, Peru, and Bolivia, experiences that proved formative to Hicks’ artistic development. Her use of “domestic” mediums differed radically from the rigid industrial techniques of the Minimalists and hard edges of the abstract painters prominent amongst her contemporaries; Hicks is closely aligned with Eva Hesse, her fellow student and fellow innovator of sculpture made from soft, atypical materials.

American, b. 1934, Hastings, Nebraska, based in New York & Paris