Shepard Fairey (OBEY), ‘God Saves & Satan Invests’, 2013, Rago/Wright
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God Saves & Satan Invests, 2013

Screenprint on paper
36 × 24 in
91.4 × 61 cm
Edition 346/350
This is part of a limited edition set.
Bidding closed
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About the work
RW
Rago/Wright

This work is number 346 from the edition of 350 published by Obey Giant.

Medium
Print
Signature
Signed, dated and numbered to lower edge 'Fairey 13 346/350'.
Shepard Fairey (OBEY)
American, b. 1970
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Expanding on the legacies of artists such as Keith Haring and Andy Warhol, Shepard Fairey’s practice disrupts the distinction between fine and commercial art. A major artist of the street art movement, Fairey rose to prominence in the early 1990s through the dispersion of posters, stickers, and murals, related to his Obey Giant campaign, which yielded an international cultural phenomenon. Fairey’s iconic poster of President Barack Obama was adopted as the official emblem associated with the presidential campaign and encapsulates a number of recurring concerns in the artist’s work, including propaganda, portraiture, and political power.

Shepard Fairey (OBEY), ‘God Saves & Satan Invests’, 2013, Rago/Wright
Save
Save
View
View in room
Share
Share
About the work
RW
Rago/Wright

This work is number 346 from the edition of 350 published by Obey Giant.

Medium
Print
Signature
Signed, dated and numbered to lower edge 'Fairey 13 346/350'.
Shepard Fairey (OBEY)
American, b. 1970
Follow

Expanding on the legacies of artists such as Keith Haring and Andy Warhol, Shepard Fairey’s practice disrupts the distinction between fine and commercial art. A major artist of the street art movement, Fairey rose to prominence in the early 1990s through the dispersion of posters, stickers, and murals, related to his Obey Giant campaign, which yielded an international cultural phenomenon. Fairey’s iconic poster of President Barack Obama was adopted as the official emblem associated with the presidential campaign and encapsulates a number of recurring concerns in the artist’s work, including propaganda, portraiture, and political power.

God Saves & Satan Invests, 2013

Screenprint on paper
36 × 24 in
91.4 × 61 cm
Edition 346/350
This is part of a limited edition set.
Bidding closed
Want to sell a work by this artist? Consign with Artsy.
Other works by Shepard Fairey (OBEY)
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