Shepard Fairey
Imperial POWer + Imperial Glory , 2013
"The Imperial Glory print is a comment upon the U.S. military industrial complex.
In 1961, as …
Expanding on the legacies of artists such as Keith Haring and Andy Warhol, Shepard Fairey’s practice disrupts the distinction between fine and commercial art. A major artist of the street art movement, Fairey rose to prominence in the early 1990s through the dispersion of posters, stickers, and murals, related to his Obey Giant campaign, which yielded an international cultural phenomenon. Fairey’s iconic poster of President Barack Obama was adopted as the official emblem associated with the presidential campaign and encapsulates a number of recurring concerns in the artist’s work, including propaganda, portraiture, and political power.
"The Imperial Glory print is a comment upon the U.S. military industrial complex.
In 1961, as President Eisenhower was leaving office, he delivered a farewell speech in which he warned that, we must guard against the acquisition of unwarranted influence, whether sought or unsought, by the military-industrial …
Expanding on the legacies of artists such as Keith Haring and Andy Warhol, Shepard Fairey’s practice disrupts the distinction between fine and commercial art. A major artist of the street art movement, Fairey rose to prominence in the early 1990s through the dispersion of posters, stickers, and murals, related to his Obey Giant campaign, which yielded an international cultural phenomenon. Fairey’s iconic poster of President Barack Obama was adopted as the official emblem associated with the presidential campaign and encapsulates a number of recurring concerns in the artist’s work, including propaganda, portraiture, and political power.
