Shepard Fairey, ‘War by Numbers’, 2007, Yves Laroche Galerie d'Art

Jonathan LeVine Gallery, New York. “E Pluribus Venom,” 06/23/07 – 07/21/07
Institute of Contemporary Art, Boston. “Shepard Fairey: Supply & Demand,” 02/06/09 – 10/16/09
Andy Warhol Museum, Pittsburgh. “Shepard Fairey: Supply & Demand,” 10/17/09 – 01/30/10
Contemporary Arts Center, Cincinnati. “Shepard Fairey: Supply & Demand,” 02/20/10 – 08/22/10

Shepard Fairey, Sarah Jaye Williams, Jonathan LeVine, E Pluribus Venom: The Art of Shepard Fairey (Corte Madera, CA: Ginko Press,
2008).
Steinhardt, Simon, editor. Supply and Demand: The Art of Shepard Fairey. Fairey, Shepard Fairey, Roger Gastman, Steven Heller,
authors, et al. 20th Anniversary Edition. Berkeley, CA: Ginko Press in association with Obey Giant, 2009.

Private collection, Montreal, Canada

About Shepard Fairey

Expanding on the legacies of artists such as Keith Haring and Andy Warhol, Shepard Fairey’s practice disrupts the distinction between fine and commercial art. A major artist of the street art movement, Fairey rose to prominence in the early 1990s through the dispersion of posters, stickers, and murals, related to his Obey Giant campaign, which yielded an international cultural phenomenon. Fairey’s iconic poster of President Barack Obama was adopted as the official emblem associated with the presidential campaign and encapsulates a number of recurring concerns in the artist’s work, including propaganda, portraiture, and political power.

American, b. 1970, Charleston, SC, United States, based in Los Angeles, CA, United States