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How High the Moon double-seater, 1986

Epoxy coated nickel-plated steel
27 1/2 × 58 3/4 × 32 1/4 in
69.9 × 149.2 × 81.9 cm
Bidding closed
About the work
Bibliography
Provenance
W
Wright

Japan

This work is number 24 from the edition of 30. Sold with a digital copy of the original …

Read more

Japan

This work is number 24 from the edition of 30. Sold with a digital copy of the original certificate.

Medium
Design/Decorative Art
Manufacturer
Ishimaru Co., Ltd.
Shiro Kuramata
Japanese, 1934–1991
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Shiro Kuramata playfully stretched and skewed tropes of Western design, while combining them with traditional Japanese aesthetics, to produce items of furniture that are surreal, humorous, and often poetic. Kuramata’s Miss Blanche chair (1988), a transparent resin chair flecked with synthetic roses, creates the appearance of a sitter floating on a cloud of blooms. In a design for two chests of drawers, Furniture in Irregular Forms (1970), the stark black-and-white lacquered finish is a nod to the severity of modern furniture, while the undulating shapes capture a more lighthearted attitude. The whimsical spirit of Kuramata’s designs is typical of postmodernism. Kuramata became closely associated with this style in 1981 when he joined Ettore Sottsass’s Memphis Group, an Italian collective that included designers such as Michele de Lucchi, Andrea Branzi, and Nathalie du Pasquier.

Save
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share
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Save
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share
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About the work
Bibliography
Provenance
W
Wright

Japan

This work is number 24 from the edition of 30. Sold with a digital copy of the original …

Read more

Japan

This work is number 24 from the edition of 30. Sold with a digital copy of the original certificate.

Medium
Design/Decorative Art
Manufacturer
Ishimaru Co., Ltd.
Shiro Kuramata
Japanese, 1934–1991
Follow

Shiro Kuramata playfully stretched and skewed tropes of Western design, while combining them with traditional Japanese aesthetics, to produce items of furniture that are surreal, humorous, and often poetic. Kuramata’s Miss Blanche chair (1988), a transparent resin chair flecked with synthetic roses, creates the appearance of a sitter floating on a cloud of blooms. In a design for two chests of drawers, Furniture in Irregular Forms (1970), the stark black-and-white lacquered finish is a nod to the severity of modern furniture, while the undulating shapes capture a more lighthearted attitude. The whimsical spirit of Kuramata’s designs is typical of postmodernism. Kuramata became closely associated with this style in 1981 when he joined Ettore Sottsass’s Memphis Group, an Italian collective that included designers such as Michele de Lucchi, Andrea Branzi, and Nathalie du Pasquier.

How High the Moon double-seater, 1986

Epoxy coated nickel-plated steel
27 1/2 × 58 3/4 × 32 1/4 in
69.9 × 149.2 × 81.9 cm
Bidding closed
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Memphis Design