Shomei Tomatsu, ‘Blood and Rose, Tokyo’, 1969, Photography, Gelatin silver print, printed 1995, PRISKA PASQUER
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Shomei Tomatsu

Blood and Rose, Tokyo, 1969

Gelatin silver print, printed 1995
9 9/10 × 13 4/5 in
25.1 × 35 cm
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Location
Cologne
About the work
Shomei Tomatsu
Japanese, 1930–2012
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With a career spanning over 50 years, Shomei Tomatsu is widely considered among the most influential figures in Japanese postwar photography. In an attempt to move beyond the standard idioms of war-era reportage, Tomatsu developed an expressionistic documentary approach that combined literal description with heavily stylized printing techniques, dramatic manipulations of scale, and symbolism. He examined the effects of the atom bombs, American occupation, and rapid industrialization on traditional modes of life in Japan, and was particularly drawn to the corrosive effect of American advertising and popular culture on the smaller more isolated Japanese islands such as Okinawa. In an ongoing series that spanned almost two decades of photography, “Chewing Gum and Chocolate” (1959-1976), Tomatsu toured U.S. military bases across Japan, ambivalently documenting the confrontation between Americans and locals.

Shomei Tomatsu, ‘Blood and Rose, Tokyo’, 1969, Photography, Gelatin silver print, printed 1995, PRISKA PASQUER
Save
Save
View
View in room
Share
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About the work
Shomei Tomatsu
Japanese, 1930–2012
Follow

With a career spanning over 50 years, Shomei Tomatsu is widely considered among the most influential figures in Japanese postwar photography. In an attempt to move beyond the standard idioms of war-era reportage, Tomatsu developed an expressionistic documentary approach that combined literal description with heavily stylized printing techniques, dramatic manipulations of scale, and symbolism. He examined the effects of the atom bombs, American occupation, and rapid industrialization on traditional modes of life in Japan, and was particularly drawn to the corrosive effect of American advertising and popular culture on the smaller more isolated Japanese islands such as Okinawa. In an ongoing series that spanned almost two decades of photography, “Chewing Gum and Chocolate” (1959-1976), Tomatsu toured U.S. military bases across Japan, ambivalently documenting the confrontation between Americans and locals.

Shomei Tomatsu

Blood and Rose, Tokyo, 1969

Gelatin silver print, printed 1995
9 9/10 × 13 4/5 in
25.1 × 35 cm
Sold
Location
Cologne
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