Sol LeWitt, ‘Emblemata (Krakow 2000.06)’, 2000, Sotheby's
Sol LeWitt, ‘Emblemata (Krakow 2000.06)’, 2000, Sotheby's
Sol LeWitt, ‘Emblemata (Krakow 2000.06)’, 2000, Sotheby's

Property of Bruce and Anne Bachmann, Chicago

Accompanied by a frontispiece and colophon, each with an additional monotype, signed in pencil on the first and fourth plate, also signed and numbered XIII on the colophon, one of 20 artist's proofs aside from the numbered edition of 70, on Fabriano wove paper, bound in Fedrigoni paper folders (as issued), printed by Lucarini-Berretta, Urbino, published by Edizioni Essegi Ravenna, Italy, and contained in original cardboard box (13 prints).

sheet: 284 by 569 mm 11 1/8 by 22 3/8 in

About Sol LeWitt

One of the leading exponents of Conceptual art, Sol LeWitt stressed the idea behind his work over its execution. “A blind man can make art if what is in his mind can be passed to another mind in some tangible form,” he once said. LeWitt is best known for his large-scale “Wall Drawings,” rigorous arrays of designs, shapes, grids, and colors rendered in pencil and paint in coherence with strict instructions and diagrams to be followed in executing the work. LeWitt made over 1,200 of these works in his career, his visual vocabulary in strong alignment with Minimalism despite his rejection of the movement. His “structures”, as he preferred to call sculptures, were variations on geometric shapes, constructed from steel, polyurethane, or concrete, often featuring stacked cubes without sides. LeWitt is one of the seminal artists of the late 20th and early 21st centuries, influencing artists like Eva Hesse and Frank Stella, among countless others.

American, 1928-2007, Hartford, Connecticut, based in Chester, Connecticut