Sol LeWitt, ‘Irregular Vertical and Horizontal Bands of Color Superimposed’, 1993, Painting, Gouache on paper, Phillips
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Sol LeWitt

Irregular Vertical and Horizontal Bands of Color Superimposed, 1993

Gouache on paper
22 1/2 × 22 in
57.1 × 55.8 cm
Bidding closed
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P
Phillips

Property Subject to VAT Section 4: 5% (see Conditions of Sale for further information)

Medium
Signature
Signed and dated 'Lewitt 93' lower right
Sol LeWitt
American, 1928–2007
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One of the leading exponents of Conceptual art, Sol LeWitt stressed the idea behind his work over its execution. “A blind man can make art if what is in his mind can be passed to another mind in some tangible form,” he once said. LeWitt is best known for his large-scale “Wall Drawings,” rigorous arrays of designs, shapes, grids, and colors rendered in pencil and paint in coherence with strict instructions and diagrams to be followed in executing the work. LeWitt made over 1,200 of these works in his career, his visual vocabulary in strong alignment with Minimalism despite his rejection of the movement. His “structures”, as he preferred to call sculptures, were variations on geometric shapes, constructed from steel, polyurethane, or concrete, often featuring stacked cubes without sides. LeWitt is one of the seminal artists of the late 20th and early 21st centuries, influencing artists like Eva Hesse and Frank Stella, among countless others.

Sol LeWitt, ‘Irregular Vertical and Horizontal Bands of Color Superimposed’, 1993, Painting, Gouache on paper, Phillips
Save
Save
View
View in room
Share
Share
P
Phillips

Property Subject to VAT Section 4: 5% (see Conditions of Sale for further information)

Medium
Signature
Signed and dated 'Lewitt 93' lower right
Sol LeWitt
American, 1928–2007
Follow

One of the leading exponents of Conceptual art, Sol LeWitt stressed the idea behind his work over its execution. “A blind man can make art if what is in his mind can be passed to another mind in some tangible form,” he once said. LeWitt is best known for his large-scale “Wall Drawings,” rigorous arrays of designs, shapes, grids, and colors rendered in pencil and paint in coherence with strict instructions and diagrams to be followed in executing the work. LeWitt made over 1,200 of these works in his career, his visual vocabulary in strong alignment with Minimalism despite his rejection of the movement. His “structures”, as he preferred to call sculptures, were variations on geometric shapes, constructed from steel, polyurethane, or concrete, often featuring stacked cubes without sides. LeWitt is one of the seminal artists of the late 20th and early 21st centuries, influencing artists like Eva Hesse and Frank Stella, among countless others.

Sol LeWitt

Irregular Vertical and Horizontal Bands of Color Superimposed, 1993

Gouache on paper
22 1/2 × 22 in
57.1 × 55.8 cm
Bidding closed
Want to sell a work by this artist? Consign with Artsy.
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