Sol LeWitt, ‘Journal découpé’, 1972, Fromkin Fine Art

This rare early work "Journal découpé" by Sol LeWitt consists of a Parisian newspaper sheet torn into 10 pieces and then collaged back together, a statement on dislocation and relocation. Although the paper has been reassembled, LeWitt created a conceptual idea, carried out that idea through manipulation of the surface of the newspaper, and thus created his art by putting thought into practice.

Signature: Signed; Titled, and dated "R' 66/Sol Lewitt/Paris/July 12, 1972"

About Sol LeWitt

One of the leading exponents of Conceptual art, Sol LeWitt stressed the idea behind his work over its execution. “A blind man can make art if what is in his mind can be passed to another mind in some tangible form,” he once said. LeWitt is best known for his large-scale “Wall Drawings,” rigorous arrays of designs, shapes, grids, and colors rendered in pencil and paint in coherence with strict instructions and diagrams to be followed in executing the work. LeWitt made over 1,200 of these works in his career, his visual vocabulary in strong alignment with Minimalism despite his rejection of the movement. His “structures”, as he preferred to call sculptures, were variations on geometric shapes, constructed from steel, polyurethane, or concrete, often featuring stacked cubes without sides. LeWitt is one of the seminal artists of the late 20th and early 21st centuries, influencing artists like Eva Hesse and Frank Stella, among countless others.

American, 1928-2007, Hartford, Connecticut, based in Chester, Connecticut