Song Dong, ‘Usefulness of Uselessness No. 6’, 2013-2015, Pace Gallery
Song Dong, ‘Usefulness of Uselessness No. 6’, 2013-2015, Pace Gallery
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Song Dong

Usefulness of Uselessness No. 6, 2013-2015

Old furniture, plywood, tile, three-hole socket
22 × 28 7/10 × 20 1/2 in
56 × 73 × 52 cm
Sold
location
New York, London, Beijing, Hong Kong, Palo Alto, Seoul, Geneva
About the work
Image rights
© Song Dong, courtesy Pace Beijing
Song Dong
Chinese, b. 1966
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In his wide-ranging practice, Song Dong explores ideas of memory, impermanence, and the value of …

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In his wide-ranging practice, Song Dong explores ideas of memory, impermanence, and the value of human expression within the context of China’s rapidly changing society. In 2005 he first exhibited Waste Not, an installation showcasing more than 10,000 objects accumulated by his late mother—everything from pots to …

Read more
Song Dong, ‘Usefulness of Uselessness No. 6’, 2013-2015, Pace Gallery
Song Dong, ‘Usefulness of Uselessness No. 6’, 2013-2015, Pace Gallery
Save
Save
share
Share
Save
Save
share
Share
About the work
Image rights
© Song Dong, courtesy Pace Beijing
Song Dong
Chinese, b. 1966
Follow

In his wide-ranging practice, Song Dong explores ideas of memory, impermanence, and the value of …

Read more

In his wide-ranging practice, Song Dong explores ideas of memory, impermanence, and the value of human expression within the context of China’s rapidly changing society. In 2005 he first exhibited Waste Not, an installation showcasing more than 10,000 objects accumulated by his late mother—everything from pots to …

Read more

Song Dong

Usefulness of Uselessness No. 6, 2013-2015

Old furniture, plywood, tile, three-hole socket
22 × 28 7/10 × 20 1/2 in
56 × 73 × 52 cm
Sold
location
New York, London, Beijing, Hong Kong, Palo Alto, Seoul, Geneva