Sonia Delaunay, ‘No title ’, 1974, Le Coin des Arts
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Sonia Delaunay

No title , 1974

Lithograph
27 1/5 × 20 9/10 in
69 × 53 cm
.
€3,000
Ships from Paris, FR
Free shipping worldwide
VAT included in price
Location
Paris
Certificate
Certificate of authenticity
This work includes a certificate of authenticity.
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About the work
Le Coin des Arts
Paris

69.00 cm. x 53.00 cm. | 27.17 in. x 20.87 in. (paper)
46.00 cm. x 44.00 cm. | 18.11 in. x 17.32 in. …

Medium
Condition
Excellent condition
Signature
Hand-signed by artist, Handsigned by the artist in pencil and numbered 55/99
Certificate of authenticity
Included
Frame
Not included
Sonia Delaunay
French, 1885–1979
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Sonia Delaunay’s innovative explorations of color and form began with a quilt she made for her son in 1911 that would spur a breakthrough in the history of abstraction. She had moved from Moscow to Paris at age 20, where she first encountered Post-Impressionism and Fauvism, inspiring her to push further toward non-objective art. Along with her husband, Robert Delaunay, she developed a bright blend of Cubism and Futurism that would be dubbed Orphism by critic Guillaume Apollinaire in 1910—though Delaunay preferred the term “Simultaneous Contrasts”. In addition to painting, she created textiles as “exercises in color,” under the Maison Delaunay label, even creating costumes for Sergei Diaghilev’s Ballets Russes. In 1964, Delaunay became the first living woman to be given a retrospective at the Louvre.

Sonia Delaunay, ‘No title ’, 1974, Le Coin des Arts
Save
Save
View
View in room
Share
Share
About the work
Le Coin des Arts
Paris

69.00 cm. x 53.00 cm. | 27.17 in. x 20.87 in. (paper)
46.00 cm. x 44.00 cm. | 18.11 in. x 17.32 in. (image)
Excellent condition
LCD3171

Medium
Condition
Excellent condition
Signature
Hand-signed by artist, Handsigned by the artist in pencil and numbered 55/99
Certificate of authenticity
Included
Frame
Not included
Sonia Delaunay
French, 1885–1979
Follow

Sonia Delaunay’s innovative explorations of color and form began with a quilt she made for her son in 1911 that would spur a breakthrough in the history of abstraction. She had moved from Moscow to Paris at age 20, where she first encountered Post-Impressionism and Fauvism, inspiring her to push further toward non-objective art. Along with her husband, Robert Delaunay, she developed a bright blend of Cubism and Futurism that would be dubbed Orphism by critic Guillaume Apollinaire in 1910—though Delaunay preferred the term “Simultaneous Contrasts”. In addition to painting, she created textiles as “exercises in color,” under the Maison Delaunay label, even creating costumes for Sergei Diaghilev’s Ballets Russes. In 1964, Delaunay became the first living woman to be given a retrospective at the Louvre.

Sonia Delaunay

No title , 1974

Lithograph
27 1/5 × 20 9/10 in
69 × 53 cm
.
€3,000
Ships from Paris, FR
Free shipping worldwide
VAT included in price
Location
Paris
Certificate
Certificate of authenticity
This work includes a certificate of authenticity.
Locked
Secure payment
Secure transactions by credit card through Stripe.
Learn more.
Want to sell a work by this artist? Consign with Artsy.
Series by this artist
Other works by Sonia Delaunay
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