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Sonia Delaunay

Original Pochoir "27 Living Paintings XXIV" by Sonia Delaunay, 1969

Velin Aussedat
11 1/5 × 7 7/10 in
28.5 × 19.5 cm
Edition of 331/500
€1,200
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About the work
Galerie Philia
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Artist : Sonia Delaunay Title : 27 Living Paintings Year : 1969 Size : 28.5 x 19.5 cm Edition : …

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Artist : Sonia Delaunay Title : 27 Living Paintings Year : 1969 Size : 28.5 x 19.5 cm Edition : 331/500 Medium : Velin Aussedat Publisher : Milano, Edizioni del Naviglio Source : Jacques Damase. Robes Poèmes, Introduction. Texte par Guillaume Apollinaire et Blaise Cendrars

Publisher
Milano, Edizioni del Naviglio
Sonia Delaunay
French, 1885–1979
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Sonia Delaunay’s innovative explorations of color and form began with a quilt she made for her son in 1911 that would spur a breakthrough in the history of abstraction. She had moved from Moscow to Paris at age 20, where she first encountered Post-Impressionism and Fauvism, inspiring her to push further toward non-objective art. Along with her husband, Robert Delaunay, she developed a bright blend of Cubism and Futurism that would be dubbed Orphism by critic Guillaume Apollinaire in 1910—though Delaunay preferred the term “Simultaneous Contrasts”. In addition to painting, she created textiles as “exercises in color,” under the Maison Delaunay label, even creating costumes for Sergei Diaghilev’s Ballets Russes. In 1964, Delaunay became the first living woman to be given a retrospective at the Louvre.

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About the work
Galerie Philia
Follow

Artist : Sonia Delaunay Title : 27 Living Paintings Year : 1969 Size : 28.5 x 19.5 cm Edition : …

Read more

Artist : Sonia Delaunay Title : 27 Living Paintings Year : 1969 Size : 28.5 x 19.5 cm Edition : 331/500 Medium : Velin Aussedat Publisher : Milano, Edizioni del Naviglio Source : Jacques Damase. Robes Poèmes, Introduction. Texte par Guillaume Apollinaire et Blaise Cendrars

Publisher
Milano, Edizioni del Naviglio
Sonia Delaunay
French, 1885–1979
Follow

Sonia Delaunay’s innovative explorations of color and form began with a quilt she made for her son in 1911 that would spur a breakthrough in the history of abstraction. She had moved from Moscow to Paris at age 20, where she first encountered Post-Impressionism and Fauvism, inspiring her to push further toward non-objective art. Along with her husband, Robert Delaunay, she developed a bright blend of Cubism and Futurism that would be dubbed Orphism by critic Guillaume Apollinaire in 1910—though Delaunay preferred the term “Simultaneous Contrasts”. In addition to painting, she created textiles as “exercises in color,” under the Maison Delaunay label, even creating costumes for Sergei Diaghilev’s Ballets Russes. In 1964, Delaunay became the first living woman to be given a retrospective at the Louvre.

Sonia Delaunay

Original Pochoir "27 Living Paintings XXIV" by Sonia Delaunay, 1969

Velin Aussedat
11 1/5 × 7 7/10 in
28.5 × 19.5 cm
Edition of 331/500
€1,200
Have a question? Read our FAQ.
Want to sell a work by this artist? Consign with Artsy.
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