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initialled in pencil, numbered from the edition of 300 on the justification sleeve, published by Galerie Beyeler, Basel, on wove paper in the original paper sleeve as published, with full margins, 176 x 139mm (6 7/8 x 5 ½ in) (unframed)

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Medium

Sonia Delaunay’s innovative explorations of color and form began with a quilt she made for her son in 1911 that would spur a breakthrough in the history of abstraction. She had moved from Moscow to Paris at age 20, where she first encountered Post-Impressionism and Fauvism, inspiring her to push further toward non-objective art. Along with her husband, Robert Delaunay, she developed a bright blend of Cubism and Futurism that would be dubbed Orphism by critic Guillaume Apollinaire in 1910—though Delaunay preferred the term “Simultaneous Contrasts”. In addition to painting, she created textiles as “exercises in color,” under the Maison Delaunay label, even creating costumes for Sergei Diaghilev’s Ballets Russes. In 1964, Delaunay became the first living woman to be given a retrospective at the Louvre.

High auction record
€4m, Calmels Cohen, 2002
Blue chip
Represented by internationally recognized galleries.
Collected by a major museum
Tate
Selected exhibitions
2021
small is beautiful !Galerie Denise René
Modern Masters 1924-1990William Weston Gallery Ltd.
2015
The EY Exhibition: Sonia DelaunayTate
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Rythm Sans Fin, 1956

Pochoir in colours
6 9/10 × 5 1/2 in
17.6 × 13.9 cm
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FA
Forum Auctions

initialled in pencil, numbered from the edition of 300 on the justification sleeve, published by …

Medium

Sonia Delaunay’s innovative explorations of color and form began with a quilt she made for her son in 1911 that would spur a breakthrough in the history of abstraction. She had moved from Moscow to Paris at age 20, where she first encountered Post-Impressionism and Fauvism, inspiring her to push further toward non-objective art. Along with her husband, Robert Delaunay, she developed a bright blend of Cubism and Futurism that would be dubbed Orphism by critic Guillaume Apollinaire in 1910—though Delaunay preferred the term “Simultaneous Contrasts”. In addition to painting, she created textiles as “exercises in color,” under the Maison Delaunay label, even creating costumes for Sergei Diaghilev’s Ballets Russes. In 1964, Delaunay became the first living woman to be given a retrospective at the Louvre.

High auction record
€4m, Calmels Cohen, 2002
Blue chip
Represented by internationally recognized galleries.
Collected by a major museum
Tate
Selected exhibitions (3)

Series by this artist

Other works by Sonia Delaunay
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