Sophie Calle, ‘Purloined: Titian, The Rest on the Flight into Egypt’, 1998-2013, Perrotin

“Purloined”, 1994 - 2013
Following thefts involving a Lucian Freud painting and two Turners belonging to the Tate Gallery in London, a Picasso at the Richard Gray Gallery in Chicago, and a Titian from the Marquis of Bath’s residence, Longleat House, I asked the curators, guards, and other staff members of the Museums, gallery or collection, to describe the missing works.

About Sophie Calle

A controversial figure as well as one of France’s leading conceptual artists, Sophie Calle explores her own psychological and emotional terrain in multimedia works, probing ideas of control, freedom, gender, intimacy, and distance in human relationships. Perhaps her most contentious work, Address Book (1983) was inspired by an address book that Calle found on the street, photographed, and sent back to its owner. She then rang the numbers in the book to assemble a portrait of the owner, turning the results into a multimedia installation. For Take Care of Yourself (2007), which was exhibited in the French pavilion at the 2007 Venice Biennale, Calle invited 107 women from various walks of life to interpret and assess a breakup note the artist received in an email. In a range of media including photographic portraits, textual analysis, and filmed performances, women pore over the emotional content of the email; contributions include a clairvoyant’s response, a scientific study, and a child’s fairytale.

French, b. 1953, Paris, France, based in Malakoff, France

Group Shows

2017
2015
ARNDT, 
Singapore,
2013
GASK - Gallery of the Central Bohemian Region, 
Kutna Hora, Czechia,
Images For Images (Artists fir Tichy)
2006
Madrid, Spain,
Seven Photographers
View Artist's CV