Stan Douglas, ‘A44A’, 2016, Painting, Lacquered UV ink on gessoed panel, Victoria Miro
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Stan Douglas

A44A, 2016

Lacquered UV ink on gessoed panel
59 1/10 × 59 1/10 × 2 in
150 × 150 × 5 cm
Contact For Price
Location
London, Venice
Have a question? Visit our help center.
Medium
Stan Douglas
Canadian, b. 1960
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Canadian photographer and video artist Stan Douglas challenges viewers’ ideas about narrative by creating non-linear, sometimes randomly generated video installations that can continue for days. Douglas’s work engages directly with a variety of source material, from Samuel Beckett’s teleplays to recognizably post-war images in the vein of press photography from that era. Douglas’s films are often accompanied by collections of photographs, as seen in Le Detroit (1999/2000), made after the series Detroit Photos (1997-1998), both of which explore decay and reinvention in beleaguered Detroit.

Stan Douglas, ‘A44A’, 2016, Painting, Lacquered UV ink on gessoed panel, Victoria Miro
Save
Save
Share
Share
Medium
Stan Douglas
Canadian, b. 1960
Follow

Canadian photographer and video artist Stan Douglas challenges viewers’ ideas about narrative by creating non-linear, sometimes randomly generated video installations that can continue for days. Douglas’s work engages directly with a variety of source material, from Samuel Beckett’s teleplays to recognizably post-war images in the vein of press photography from that era. Douglas’s films are often accompanied by collections of photographs, as seen in Le Detroit (1999/2000), made after the series Detroit Photos (1997-1998), both of which explore decay and reinvention in beleaguered Detroit.

Stan Douglas

A44A, 2016

Lacquered UV ink on gessoed panel
59 1/10 × 59 1/10 × 2 in
150 × 150 × 5 cm
Contact For Price
Location
London, Venice
Have a question? Visit our help center.
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