Stan Douglas, ‘Every Building on 100 West Hastings’, 2001, Phillips

Property from a Distinguished Private Collection
Guaranteed Property (see Conditions of Sale for further information)

Signature: signed, numbered and dated "3/7 Stan Douglas 2001" on the reverse

New York, David Zwirner; London, Serpentine Gallery; Vancouver, Contemporary Art Gallery; Barcelona, Galeria Estrany de la Mota, Stan Douglas: Journey into Fear, November 9, 2001 - February 8, 2003 (another example exhibited)

Gabrielle Moser, "Phantasmagoric Places: Local and Global Tensions in the Circulation of Stan Douglas's Every Building on 100 West Hastings", Photography and Culture, vol. 4, March 2011, pp. 55-72 (another example illustrated)
Reid Shier (ed.), Stan Douglas: Every Building on 100 West Hastings, exh. cat., Contemporary Art Gallery, Vancouver, 2002 (another variant illustrated)
Alexander Alberro, Nora M. Alter, Serge Guilbaut, Sven Lütticken and Jesse Proudfoot, Stan Douglas: Abbott & Cordova, 7 August 1971, Vancouver, 2011, pp. 16, 68-69, 79, 100-101 (another variant illustrated)

David Zwirner, New York
Greene Naftali Gallery, New York
Acquired from the above by the present owner in 2002

About Stan Douglas

Canadian photographer and video artist Stan Douglas challenges viewers’ ideas about narrative by creating non-linear, sometimes randomly generated video installations that can continue for days. Douglas’s work engages directly with a variety of source material, from Samuel Beckett’s teleplays to recognizably post-war images in the vein of press photography from that era. Douglas’s films are often accompanied by collections of photographs, as seen in Le Detroit (1999/2000), made after the series Detroit Photos (1997-1998), both of which explore decay and reinvention in beleaguered Detroit.

Canadian, b. 1960, Vancouver, Canada, based in Vancouver, Canada

Group Shows

Museum of Contemporary Art in Chicago, 
Chicago, IL, USA,
I Was Raised on the Internet
London, UK,
Shape of Light: 100 Years of Photography and Abstract Art