Save
Save
view
View in room
share
Share
Save
Save
view
View in room
share
Share

Stan Douglas

Every Building on 100 West Hastings, 2001

Chromogenic print
23 1/2 × 96 in
59.7 × 243.8 cm
Edition 3/7
This is part of a limited edition set.
Bidding closed
About the work
Exhibition history
Bibliography
Provenance
P
Phillips

Property from a Distinguished Private Collection
Guaranteed Property (see Conditions of Sale for …

Read more

Property from a Distinguished Private Collection
Guaranteed Property (see Conditions of Sale for further information)

Signature
Signed, numbered and dated "3/7 Stan Douglas 2001" on the reverse
Stan Douglas
Canadian, b. 1960
Follow

Canadian photographer and video artist Stan Douglas challenges viewers’ ideas about narrative by creating non-linear, sometimes randomly generated video installations that can continue for days. Douglas’s work engages directly with a variety of source material, from Samuel Beckett’s teleplays to recognizably post-war images in the vein of press photography from that era. Douglas’s films are often accompanied by collections of photographs, as seen in Le Detroit (1999/2000), made after the series Detroit Photos (1997-1998), both of which explore decay and reinvention in beleaguered Detroit.

Save
Save
view
View in room
share
Share
Save
Save
view
View in room
share
Share
About the work
Exhibition history
Bibliography
Provenance
P
Phillips

Property from a Distinguished Private Collection
Guaranteed Property (see Conditions of Sale for …

Read more

Property from a Distinguished Private Collection
Guaranteed Property (see Conditions of Sale for further information)

Signature
Signed, numbered and dated "3/7 Stan Douglas 2001" on the reverse
Stan Douglas
Canadian, b. 1960
Follow

Canadian photographer and video artist Stan Douglas challenges viewers’ ideas about narrative by creating non-linear, sometimes randomly generated video installations that can continue for days. Douglas’s work engages directly with a variety of source material, from Samuel Beckett’s teleplays to recognizably post-war images in the vein of press photography from that era. Douglas’s films are often accompanied by collections of photographs, as seen in Le Detroit (1999/2000), made after the series Detroit Photos (1997-1998), both of which explore decay and reinvention in beleaguered Detroit.

Stan Douglas

Every Building on 100 West Hastings, 2001

Chromogenic print
23 1/2 × 96 in
59.7 × 243.8 cm
Edition 3/7
This is part of a limited edition set.
Bidding closed
Other works by Stan Douglas
Related works
Most Similar