Stefanie Schneider, ‘White Plastic Bucket (Stay), from Ryan Gosling's memory sequence’, 2006, Photography, Analog C-Prints, printed by the artist on Fuji Archive Crystal Paper,  based on a Polaroid, mounted on Aluminum (3mm) with matte UV-Protection, Instantdreams
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Stefanie Schneider

White Plastic Bucket (Stay), from Ryan Gosling's memory sequence, 2006

Analog C-Prints, printed by the artist on Fuji Archive Crystal Paper, based on a Polaroid, mounted on Aluminum (3mm) with matte UV-Protection
33 1/2 × 33 1/2 × 2/5 in
85 × 85 × 1 cm
Edition 2/5 + 2AP
.
$4,500
Ships from Morongo Valley, CA, US
Shipping: $100 domestic, $150 rest of world
Location
Bombay Beach, Berlin, Santa Monica, Los Angeles, Morongo Valley, Miami, New York, Basel, Arles
Certificate
Certificate of authenticity
This work includes a certificate of authenticity.
Locked
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I
Instantdreams
Bombay Beach, Berlin, +7 more

White Plastic Bucket (Stay), from Ryan Gosling's memory sequence.
2006, 85x85cm, 4 pieces, each …

Medium
Condition
Very Good
Signature
Hand-signed by artist, Signed on back with Certificate
Certificate of authenticity
Included (issued by authorized authenticating body)
Frame
Included
Series
Stay
Publisher
published by the artist
Price ranges of medium-sized photographs by Stefanie Schneider
Learn more
More info
Browse works in this category
$4,500–$4,800
This work
$0
$6,300+
Stefanie Schneider
German, b. 1968
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In 2006 she may have been known as a shooting star, but today Schneider is without doubt a well-established name in the international art scene. After completing a degree in photography at the Folkwang University of the Arts in Essen, she moved to Los Angeles. Since then, Schneider has shot her dream-like Polaroids just a few hours’ drive from her hometown. For “29 Palms”, that meant a shimmering oasis in Joshua Tree National Park.

“I am a perfectionist, but I am perfecting chance.”

TECHNIQUE

Staged dreams, presented in Polaroid

In 1996, Stefanie Schneider bought three boxes of old Polaroid film on Sunset Boulevard in Los Angeles. Since then, her works have been easy to recognise, not only because of the typical, square format of a Polaroid, but also due to their surreal colours. This “look” of a Schneider work remains impossible to define, because the behaviour of the chemicals during development is so unpredictable. And yet, while the works retain an element of spontaneity, the content and composition of these fantastical images is anything but random: Schneider plans the costumes and settings down to the finest detail.

Stefanie Schneider defies common conventions when creating her works. Rather than handling the exposed Polaroids with white gloves, she throws them into the sand, changing their surfaces. Finally, she takes analogue photographs of the Polaroids in her lab.

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Stefanie Schneider, ‘White Plastic Bucket (Stay), from Ryan Gosling's memory sequence’, 2006, Photography, Analog C-Prints, printed by the artist on Fuji Archive Crystal Paper,  based on a Polaroid, mounted on Aluminum (3mm) with matte UV-Protection, Instantdreams
Navigate right
Save
Save
View
View in room
Share
Share
I
Instantdreams
Bombay Beach, Berlin, +7 more

White Plastic Bucket (Stay), from Ryan Gosling's memory sequence.
2006, 85x85cm, 4 pieces, each 39x38.5cm, Edition 2/5,
analog C-Prints, printed by the artist on Fuji Archive Crystal Paper,
based on a Polaroid. Signed on back with Certificate, artist Inventory No. 2064.02
mounted on Aluminum (3mm) with matte …

Medium
Condition
Very Good
Signature
Hand-signed by artist, Signed on back with Certificate
Certificate of authenticity
Included (issued by authorized authenticating body)
Frame
Included
Series
Stay
Publisher
published by the artist
Price ranges of medium-sized photographs by Stefanie Schneider
Learn more
More info
Browse works in this category
$4,500–$4,800
This work
$0
$6,300+
Stefanie Schneider
German, b. 1968
Follow

In 2006 she may have been known as a shooting star, but today Schneider is without doubt a well-established name in the international art scene. After completing a degree in photography at the Folkwang University of the Arts in Essen, she moved to Los Angeles. Since then, Schneider has shot her dream-like Polaroids just a few hours’ drive from her hometown. For “29 Palms”, that meant a shimmering oasis in Joshua Tree National Park.

“I am a perfectionist, but I am perfecting chance.”

TECHNIQUE

Staged dreams, presented in Polaroid

In 1996, Stefanie Schneider bought three boxes of old Polaroid film on Sunset Boulevard in Los Angeles. Since then, her works have been easy to recognise, not only because of the typical, square format of a Polaroid, but also due to their surreal colours. This “look” of a Schneider work remains impossible to define, because the behaviour of the chemicals during development is so unpredictable. And yet, while the works retain an element of spontaneity, the content and composition of these fantastical images is anything but random: Schneider plans the costumes and settings down to the finest detail.

Stefanie Schneider defies common conventions when creating her works. Rather than handling the exposed Polaroids with white gloves, she throws them into the sand, changing their surfaces. Finally, she takes analogue photographs of the Polaroids in her lab.

Stefanie Schneider

White Plastic Bucket (Stay), from Ryan Gosling's memory sequence, 2006

Analog C-Prints, printed by the artist on Fuji Archive Crystal Paper, based on a Polaroid, mounted on Aluminum (3mm) with matte UV-Protection
33 1/2 × 33 1/2 × 2/5 in
85 × 85 × 1 cm
Edition 2/5 + 2AP
.
$4,500
Ships from Morongo Valley, CA, US
Shipping: $100 domestic, $150 rest of world
Location
Bombay Beach, Berlin, Santa Monica, Los Angeles, Morongo Valley, Miami, New York, Basel, Arles
Certificate
Certificate of authenticity
This work includes a certificate of authenticity.
Locked
Secure payment
Secure transactions by credit card through Stripe.
Learn more.
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