Susan Hefuna, ‘Building’, 2009, Guggenheim Museum
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Susan Hefuna

Building, 2009

Ink on tracing paper, nine parts
8 1/2 × 24 3/5 in
21.5 × 62.5 cm
Location
New York
About the work
Exhibition history
Provenance
Guggenheim Museum
New York

Collection: Solomon R. Guggenheim Museum, New York

Medium
Image rights
© Susan Hefuna. Photo: Courtesy Susan Hefuna and Pi Artworks, London
Susan Hefuna
Egyptian-German, b. 1962
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Many of Susan Hefuna’s multimedia works explore her experience navigating the discordant parts of her heritage—German and Egyptian, Christian and Muslim. Hefuna’s photographs, videos, sculptures, installations, and drawings explore the rifts between cultural codes and perceptions of them, towards larger themes of identity and social politics. In 2001, she produced a series of self-portraits, cityscapes, interiors, and portraits of her family, sometimes including images of Mashrabiyas—latticed windows Hefuna encountered in Egyptian cities that allow one to observe without being seen. Between 2004 and 2010, Hefuna designed a number of Mashrabiyas herself, incorporating phrases in English and Arabic, and commissioned artisans to produce them. Hefuna is also known for her drawing, which she considers the backbone of her diverse practice.

Susan Hefuna, ‘Building’, 2009, Guggenheim Museum
Save
Save
View
View in room
Share
Share
About the work
Exhibition history
Provenance
Guggenheim Museum
New York

Collection: Solomon R. Guggenheim Museum, New York

Medium
Image rights
© Susan Hefuna. Photo: Courtesy Susan Hefuna and Pi Artworks, London
Susan Hefuna
Egyptian-German, b. 1962
Follow

Many of Susan Hefuna’s multimedia works explore her experience navigating the discordant parts of her heritage—German and Egyptian, Christian and Muslim. Hefuna’s photographs, videos, sculptures, installations, and drawings explore the rifts between cultural codes and perceptions of them, towards larger themes of identity and social politics. In 2001, she produced a series of self-portraits, cityscapes, interiors, and portraits of her family, sometimes including images of Mashrabiyas—latticed windows Hefuna encountered in Egyptian cities that allow one to observe without being seen. Between 2004 and 2010, Hefuna designed a number of Mashrabiyas herself, incorporating phrases in English and Arabic, and commissioned artisans to produce them. Hefuna is also known for her drawing, which she considers the backbone of her diverse practice.

Susan Hefuna

Building, 2009

Ink on tracing paper, nine parts
8 1/2 × 24 3/5 in
21.5 × 62.5 cm
Location
New York
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