Suzanne Treister, ‘CIA’, 2011, Drawing, Collage or other Work on Paper, Rotring ink and watercolour on paper, Annely Juda Fine Art
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Suzanne Treister

CIA, 2011

Rotring ink and watercolour on paper
59 4/5 × 96 1/10 in
152 × 244 cm
£15,000 - 20,000
Location
London
Have a question? Visit our help center.
About the work
Medium
Suzanne Treister
British, b. 1958
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Departing from her initial career as a painter to pioneer new media art in the 1990s, Suzanne Treister has since worked across multiple formats—video, the internet, interactive technology, printed matter, charts, and diagrams—to explore structures of power and knowledge. Her projects, which evolve over time, weave together unexpected narratives and systems and often feature occult theories. Her black-and-white hand-rendered drawings map wild networks of real and imagined people, places, and ideologies. Her output continues to be influenced and updated by emerging technologies and developments. An example is her recent coining of the term post-surveillance art, which refers to the aftermath of the Edward Snowden revelations. The concept is also connected to the artist’s fictional research program involving Web 2.0 and mass intelligence, Hexen 2.0.

Suzanne Treister, ‘CIA’, 2011, Drawing, Collage or other Work on Paper, Rotring ink and watercolour on paper, Annely Juda Fine Art
Save
Save
View
View in room
Share
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About the work
Medium
Suzanne Treister
British, b. 1958
Follow

Departing from her initial career as a painter to pioneer new media art in the 1990s, Suzanne Treister has since worked across multiple formats—video, the internet, interactive technology, printed matter, charts, and diagrams—to explore structures of power and knowledge. Her projects, which evolve over time, weave together unexpected narratives and systems and often feature occult theories. Her black-and-white hand-rendered drawings map wild networks of real and imagined people, places, and ideologies. Her output continues to be influenced and updated by emerging technologies and developments. An example is her recent coining of the term post-surveillance art, which refers to the aftermath of the Edward Snowden revelations. The concept is also connected to the artist’s fictional research program involving Web 2.0 and mass intelligence, Hexen 2.0.

Suzanne Treister

CIA, 2011

Rotring ink and watercolour on paper
59 4/5 × 96 1/10 in
152 × 244 cm
£15,000 - 20,000
Location
London
Have a question? Visit our help center.
Other works by Suzanne Treister
Other works from Annely Juda Fine Art
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