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Takashi Murakami, ‘An Homage to IKB, 1957; An homage to Monogold 1960 A; An Homage to Yves Klein, Multicolor A; and An homage to Monopink 1960 A’, 2011-12, Phillips
Takashi Murakami, ‘An Homage to IKB, 1957; An homage to Monogold 1960 A; An Homage to Yves Klein, Multicolor A; and An homage to Monopink 1960 A’, 2011-12, Phillips
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An Homage to IKB, 1957; An homage to Monogold 1960 A; An Homage to Yves Klein, Multicolor A; and An homage to Monopink 1960 A, 2011-12

Four offset lithographs in colours, on smooth wove paper, the full sheets.
Bidding closed
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About the work
P
Phillips

THIS LOT IS SOLD WITH NO RESERVE
Property Subject to VAT Section 4 (5%, see Conditions of Sale for …

THIS LOT IS SOLD WITH NO RESERVE
Property Subject to VAT Section 4 (5%, see Conditions of Sale for further information)

All sheets: 74 x 53 cm (29 1/8 x 20 7/8 in.)

Each signed and numbered 130/300, 153/300, 160/300 and 214/300 respectively in black or silver ink, published by Kaikai Kiki Co., Ltd., Tokyo, all framed.

Medium
Print
Takashi Murakami
Japanese, b. 1962
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One of the most acclaimed artists to emerge from postwar Asia, Takashi Murakami—“the Warhol of Japan”—is known for his contemporary Pop synthesis of fine art and popular culture, particularly his use of a boldly graphic and colorful anime and manga cartoon style. Murakami became famous in the 1990s for his “Superflat” theory and for organizing the paradigmatic exhibition of that title, which linked the origins of contemporary Japanese visual culture to historical Japanese art. His output includes paintings, sculptures, drawings, animations, and collaborations with brands such as Louis Vuitton. “Japanese people accept that art and commerce will be blended; and in fact, they are surprised by the rigid and pretentious Western hierarchy of “high art’,” Murakami says. “In the West, it certainly is dangerous to blend the two because people will throw all sorts of stones. But that’s okay—I’m ready with my hard hat.”

Takashi Murakami, ‘An Homage to IKB, 1957; An homage to Monogold 1960 A; An Homage to Yves Klein, Multicolor A; and An homage to Monopink 1960 A’, 2011-12, Phillips
Takashi Murakami, ‘An Homage to IKB, 1957; An homage to Monogold 1960 A; An Homage to Yves Klein, Multicolor A; and An homage to Monopink 1960 A’, 2011-12, Phillips
Save
Save
Share
Share
Save
Save
Share
Share
About the work
P
Phillips

THIS LOT IS SOLD WITH NO RESERVE
Property Subject to VAT Section 4 (5%, see Conditions of Sale for …

THIS LOT IS SOLD WITH NO RESERVE
Property Subject to VAT Section 4 (5%, see Conditions of Sale for further information)

All sheets: 74 x 53 cm (29 1/8 x 20 7/8 in.)

Each signed and numbered 130/300, 153/300, 160/300 and 214/300 respectively in black or silver ink, published by Kaikai Kiki Co., Ltd., Tokyo, all framed.

Medium
Print
Takashi Murakami
Japanese, b. 1962
Follow

One of the most acclaimed artists to emerge from postwar Asia, Takashi Murakami—“the Warhol of Japan”—is known for his contemporary Pop synthesis of fine art and popular culture, particularly his use of a boldly graphic and colorful anime and manga cartoon style. Murakami became famous in the 1990s for his “Superflat” theory and for organizing the paradigmatic exhibition of that title, which linked the origins of contemporary Japanese visual culture to historical Japanese art. His output includes paintings, sculptures, drawings, animations, and collaborations with brands such as Louis Vuitton. “Japanese people accept that art and commerce will be blended; and in fact, they are surprised by the rigid and pretentious Western hierarchy of “high art’,” Murakami says. “In the West, it certainly is dangerous to blend the two because people will throw all sorts of stones. But that’s okay—I’m ready with my hard hat.”

An Homage to IKB, 1957; An homage to Monogold 1960 A; An Homage to Yves Klein, Multicolor A; and An homage to Monopink 1960 A, 2011-12

Four offset lithographs in colours, on smooth wove paper, the full sheets.
Bidding closed
Want to sell a work by this artist? Consign with Artsy.
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Contemporary Pop