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Takashi Murakami, ‘And then and then and then and then and then (Pink); And then and then and then and then and then (Aqua Blue); And then and then and then and then and then (Yellow); and And then and then and then and then and then (Blue)’, 1999, Phillips
Takashi Murakami, ‘And then and then and then and then and then (Pink); And then and then and then and then and then (Aqua Blue); And then and then and then and then and then (Yellow); and And then and then and then and then and then (Blue)’, 1999, Phillips
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And then and then and then and then and then (Pink); And then and then and then and then and then (Aqua Blue); And then and then and then and then and then (Yellow); and And then and then and then and then and then (Blue), 1999

Four offset lithographs in colours, on smooth wove paper, the full sheets
26 4/5 × 26 4/5 in
68 × 68 cm
Editions 115, 95, 161, 93 of 300
This is part of a limited edition set.
Bidding closed
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About the work
P
Phillips

No Reserve; Property Subject to VAT Section 4 (5%; see Conditions of Sale for further information)

No Reserve; Property Subject to VAT Section 4 (5%; see Conditions of Sale for further information)

All sheets: 68 x 68 cm (26 3/4 x 26 3/4 in.)

Medium
Print
Signature
All signed and numbered 115/300, 95/300, 161/300 and 93/300 in black ink, published by Kaikai Kiki Co., Ltd., Tokyo, all framed.
Image rights
Artworks ©1999 Takashi Murakami/Kaikai Kiki Co. Ltd., All Rights Reserved.
Takashi Murakami
Japanese, b. 1962
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One of the most acclaimed artists to emerge from postwar Asia, Takashi Murakami—“the Warhol of Japan”—is known for his contemporary Pop synthesis of fine art and popular culture, particularly his use of a boldly graphic and colorful anime and manga cartoon style. Murakami became famous in the 1990s for his “Superflat” theory and for organizing the paradigmatic exhibition of that title, which linked the origins of contemporary Japanese visual culture to historical Japanese art. His output includes paintings, sculptures, drawings, animations, and collaborations with brands such as Louis Vuitton. “Japanese people accept that art and commerce will be blended; and in fact, they are surprised by the rigid and pretentious Western hierarchy of “high art’,” Murakami says. “In the West, it certainly is dangerous to blend the two because people will throw all sorts of stones. But that’s okay—I’m ready with my hard hat.”

Takashi Murakami, ‘And then and then and then and then and then (Pink); And then and then and then and then and then (Aqua Blue); And then and then and then and then and then (Yellow); and And then and then and then and then and then (Blue)’, 1999, Phillips
Takashi Murakami, ‘And then and then and then and then and then (Pink); And then and then and then and then and then (Aqua Blue); And then and then and then and then and then (Yellow); and And then and then and then and then and then (Blue)’, 1999, Phillips
Save
Save
View
View in room
Share
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Save
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View
View in room
Share
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About the work
P
Phillips

No Reserve; Property Subject to VAT Section 4 (5%; see Conditions of Sale for further information)

No Reserve; Property Subject to VAT Section 4 (5%; see Conditions of Sale for further information)

All sheets: 68 x 68 cm (26 3/4 x 26 3/4 in.)

Medium
Print
Signature
All signed and numbered 115/300, 95/300, 161/300 and 93/300 in black ink, published by Kaikai Kiki Co., Ltd., Tokyo, all framed.
Image rights
Artworks ©1999 Takashi Murakami/Kaikai Kiki Co. Ltd., All Rights Reserved.
Takashi Murakami
Japanese, b. 1962
Follow

One of the most acclaimed artists to emerge from postwar Asia, Takashi Murakami—“the Warhol of Japan”—is known for his contemporary Pop synthesis of fine art and popular culture, particularly his use of a boldly graphic and colorful anime and manga cartoon style. Murakami became famous in the 1990s for his “Superflat” theory and for organizing the paradigmatic exhibition of that title, which linked the origins of contemporary Japanese visual culture to historical Japanese art. His output includes paintings, sculptures, drawings, animations, and collaborations with brands such as Louis Vuitton. “Japanese people accept that art and commerce will be blended; and in fact, they are surprised by the rigid and pretentious Western hierarchy of “high art’,” Murakami says. “In the West, it certainly is dangerous to blend the two because people will throw all sorts of stones. But that’s okay—I’m ready with my hard hat.”

And then and then and then and then and then (Pink); And then and then and then and then and then (Aqua Blue); And then and then and then and then and then (Yellow); and And then and then and then and then and then (Blue), 1999

Four offset lithographs in colours, on smooth wove paper, the full sheets
26 4/5 × 26 4/5 in
68 × 68 cm
Editions 115, 95, 161, 93 of 300
This is part of a limited edition set.
Bidding closed
Want to sell a work by this artist? Consign with Artsy.
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