Takashi Murakami, ‘Mr. DOB Red/Blue, Original Edition. Brand new in original packaging’, 2016, Alpha 137 Gallery
Takashi Murakami, ‘Mr. DOB Red/Blue, Original Edition. Brand new in original packaging’, 2016, Alpha 137 Gallery
Takashi Murakami, ‘Mr. DOB Red/Blue, Original Edition. Brand new in original packaging’, 2016, Alpha 137 Gallery
Takashi Murakami, ‘Mr. DOB Red/Blue, Original Edition. Brand new in original packaging’, 2016, Alpha 137 Gallery
Takashi Murakami, ‘Mr. DOB Red/Blue, Original Edition. Brand new in original packaging’, 2016, Alpha 137 Gallery
Takashi Murakami, ‘Mr. DOB Red/Blue, Original Edition. Brand new in original packaging’, 2016, Alpha 137 Gallery
Takashi Murakami, ‘Mr. DOB Red/Blue, Original Edition. Brand new in original packaging’, 2016, Alpha 137 Gallery
Takashi Murakami, ‘Mr. DOB Red/Blue, Original Edition. Brand new in original packaging’, 2016, Alpha 137 Gallery
Takashi Murakami, ‘Mr. DOB Red/Blue, Original Edition. Brand new in original packaging’, 2016, Alpha 137 Gallery
Takashi Murakami, ‘Mr. DOB Red/Blue, Original Edition. Brand new in original packaging’, 2016, Alpha 137 Gallery

This one was sold in a limited edition of only 750. Brand new. First edition. Original edition. Held in both the original box as well as the cardboard outer packaging box. Especially collectible in original packaging.

Manufacturer: Murakami for Complexcon

About Takashi Murakami

One of the most acclaimed artists to emerge from postwar Asia, Takashi Murakami—“the Warhol of Japan”—is known for his contemporary Pop synthesis of fine art and popular culture, particularly his use of a boldly graphic and colorful anime and manga cartoon style. Murakami became famous in the 1990s for his “Superflat” theory and for organizing the paradigmatic exhibition of that title, which linked the origins of contemporary Japanese visual culture to historical Japanese art. His output includes paintings, sculptures, drawings, animations, and collaborations with brands such as Louis Vuitton. “Japanese people accept that art and commerce will be blended; and in fact, they are surprised by the rigid and pretentious Western hierarchy of “high art’,” Murakami says. “In the West, it certainly is dangerous to blend the two because people will throw all sorts of stones. But that’s okay—I’m ready with my hard hat.”

Japanese, b. 1962, Tokyo, Japan, based in Tokyo, Japan